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Informationen zum Autor Ming-Yuen S. Ma is Professor of Media Studies at Pitzer College, a member of the Claremont Colleges Klappentext There is no soundtrack amplifies new and radical audio-visual relationships in experimental media art. It addresses the lack of diversity in the study of art, media and sound through careful audition of marginalised voices that speak of race, gender, sexuality, indigeneity, colonialism, nationalism, violence and the politics of space. Zusammenfassung There is no soundtrack amplifies new and radical audio-visual relationships in experimental media art. It addresses the lack of diversity in the study of art! media and sound through careful audition of marginalised voices that speak of race! gender! sexuality! indigeneity! colonialism! nationalism! violence and the politics of space. -- . Inhaltsverzeichnis Prologue: film without imagesIntroduction: rethinking the audio-visual contract1 Radical otherness: voiceover, autoethnography, performativity2 History, noise, violence: Christian Marclay's Guitar Drag 3 Media soundscapes: listening to installation and performance4 Sounding a politics of space: acoustic communities, aesthetic colonization, and sound imperialismEpilogue: notes on acoustic timeIndex
List of contents
Prologue: film without images
Introduction: rethinking the audio-visual contract
1 Radical otherness: voiceover, autoethnography, performativity
2 History, noise, violence: Christian Marclay's
Guitar Drag3 Media soundscapes: listening to installation and performance
4 Sounding a politics of space: acoustic communities, aesthetic colonization, and sound imperialism
Epilogue: notes on acoustic time
Index
