Read more
Nobel laureate Elias Canetti wrote his novel Auto-da-Fé (Die Blendung) when he and the twentieth century were still quite young. Rooted in the cultural crises of the Weimar period, Auto-da-Fé first received critical acclaim abroad - in England, France, and the United States - where it continues to fascinate readers of subsequent generations. The End of Modernism places this work in its cultural and philosophical contexts, situating the novel not only in relation to Canetti's considerable body of social thought, but also within larger debates on Freud and Freudianism, misogyny and modernism's ?fragmented subject,? anti-Semitism and the failure of humanism, contemporary philosophy and philosophical fads, and traditionalist notions of literature and escapist conceptions of history. The End of Modernism portrays Auto-da-Fé as an exemplum of ?analytic modernism,? and in this sense a crucial endpoint in the progression of postwar conceptions of literary modernism.
About the author
William Collins Donahue is the Cavanaugh Professor of the Humanities and the Director of the Initiative for Global Europe in the Keough School of Global Affairs at the University of Notre Dame. His is author or editor of many books including
Holocaust as Fiction: Bernhard Schlink's 'Nazi' Novels and their Films and
Die große Mischkalkulation: Institutions, Social Import, and Market Forces in the German Literary Field.
Summary
Nobel laureate Elias Canetti wrote his novel Auto-da-Fe when he and the twentieth century were still quite young. The End of Modernism places this work in its cultural and philosophical contexts, situating the novel not only in relation to Canetti's considerable body of social thought, but also within larger debates.
