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Zusatztext (Rotterdam) speaks eloquently about a complex issue while at the same time being properly laugh-out-loud funny Informationen zum Autor Jon Brittain is a playwright, comedy writer and director. His play Rotterdam won the Olivier Award for Outstanding Achievement in an Affiliate Theatre and was nominated for the Evening Standard’s Charles Wintour Award for Most Promising Playwright. His other plays include the Fringe First Award-winning A Super Happy Story (About Feeling Super Sad) and the critically acclaimed musical adaptation of David Walliams’ children’s book Billionaire Boy . He co-wrote and directed the cult hit Margaret Thatcher Queen of Soho and its sequel Margaret Thatcher Queen of Game Shows. He has directed all of John Kearns’ stand-up shows including the Edinburgh Comedy Award-winning Sight Gags for Perverts and Shtick . He has also directed shows for Tom Allen, Tom Rosenthal and Mat Ewins. Most recently he directed the world premiere of Richard Gadd’s Fringe First Award-winning play Baby Reindeer . For television he has worked as a staff writer for Cartoon Network’s The Amazing World of Gumball and Netflix’s The Crown . He was one of the 503Five 2012/2013 and has worked extensively with Old Vic New Voices. He has written for Radio 4’s The Now Show and Cartoon Network’s The Amazing World of Gumball , and created and starred in the online sketch show HodgePodge . He directed both of John Kearns’s Fosters Award-winning stand-up shows Sight Gags for Perverts and Shtick , and Tom Allen’s show Both Worlds . Stephen Farrier, PhD is Professor and Deputy Principal at Rose Bruford College, UK. Broadly, his work focuses on queer performance and its histories, and community performance practices related to gender and sexuality. In 2023 he co-edited a special double edition of Contemporary Theatre Review , entitled ‘What’s Queer about Queer Performance Now?’ with Alyson Campbell and Manola-Gayatri Kumarswamy. Since co-editing work with Alyson Campbell on Queer Dramaturgies: International Perspectives on Where Performance Leads Queer (2015) he has with, Mark Edward for Bloomsbury, co-edited the previous two volumes of this current edited collection on drag performance: Contemporary Drag Performers and Practices: Drag in a Changing Scene, Vol. 1 (2020) and Drag Histories, Herstories and Hairstories: Drag in a Changing Scene, Vol. 2 (2021). He has written on the playwright Joe Orton for Studies in Theatre and Performance (37(2), 2017) and intergenerational queer performance work for the Journal of Homosexuality (62(10), 2015). He has written many chapters for various edited collections on a range of areas connected to queer performance, from HIV/AIDS narratives to queer readings of the work of Sarah Kane. In addition to his research outputs, he is active in his sector organizations and supports Research Integrity through ethics work. Klappentext No, Alice, I don't want to become a man, I just want to stop trying to be a woman. It's New Year in Rotterdam, and Alice has finally plucked up the courage to email her parents and tell them she's gay. But before she can hit send, her girlfriend reveals that he has always identified as a man and now wants to start living as one.Now Alice must face a question she never thought she'd ask . . . does this mean she's straight?A bittersweet comedy about gender, sexuality and being a long way from home. Rotterdam received its world premiere at Theatre503, London, in October 2015, before transferring to Trafalgar Studios, London, in May 2016. This volume contains introductory commentary and notes by Stephen Farrier from the Royal Central School of Speech and Drama, London. METHUEN DRAMA STUDENT EDITIONS are expertly annotated texts of a wide range of plays from the modern ...
