Synchronization and Title Sequences - Audio-Visual Semiosis in Motion Graphics

Synchronization and Title Sequences proposes a semiotic analysis of the synchronization of image and sound in motion pictures using title sequences. Through detailed historical close readings of title designs that use either voice-over, an instrumental opening, or title song to organize their visuals-from Vertigo (1958) to The Player (1990) and X-Men: First Class (2011)-author Michael Betancourt develops a foundational framework for the critique and discussion of motion graphics' use of synchronization and sound, as well as a theoretical description of how sound-image relationships develop on-screen.

List of contents

Introduction; 1: The Progressive Myth; 2: A Precarious Balance; 3: The Tilt in the States; 4: Federal Repercussions; 5: The Anomalous Counterweight; 6: Beveling the Congress; 7: The Deliberation to End All Deliberations; Epilogue

About the author

Michael Betancourt is a theorist, historian, and artist concerned with digital technology and capitalist ideology. He is the author of The ____________ Manifesto, The History of Motion Graphics, Beyond Spatial Montage, Glitch Art in Theory and Practice , Semiotics and Title Sequences, and The Critique of Digital Capitalism. He has exhibited internationally, and his work has been translated into Chinese, French, German, Greek, Italian, Japanese, Persian, Portuguese, and Spanish, and published in journals such as The Atlantic, Make Magazine, CTheory, and Leonardo .

Summary

Synchronization and Title Sequences proposes a semiotic analysis of the synchronization of image and sound in motion pictures using title sequences. Through detailed historical close readings of title designs that use either voice-over, an instrumental opening, or title song to organize their visuals—from Vertigo (1958) to

Product details

• Authors: Michael Betancourt, Michael (Savannah College of Art and D Betancourt, Michael (Savannah College of Art and Design Betancourt, Betancourt Michael
• Publisher: Taylor & Francis Ltd.
• Languages: English
• Product format: Paperback / Softback
• Released: 31.12.2019
• EAN: 9780367890391
• ISBN: 978-0-367-89039-1
• No. of pages: 156
• Series: Routledge Studies in Media Theory and Practice
• Subjects: Humanities, art, music > Art > Photography, film, video, TV; Social sciences, law, business > Media, communication > Media science; Media Studies, Television, ART / Film & Video, Films, cinema, Film, TV & radio, PERFORMING ARTS / Film / History & Criticism, Graphical & digital media applications, PERFORMING ARTS / Film / General, Digital, video and new media arts, Graphical and digital media applications, Film history, theory or criticism