Read more
Zusatztext The painter emerges as fully three-dimensional in this second part of Feaver's biography Informationen zum Autor William Feaver is a painter, curator, broadcaster and author, and was the art critic for the Observer for 23 years. He is on the Academic Board of the Royal Drawing School where he also currently tutors. He has produced films with Jake Auerbach, including Lucian Freud Portraits . He curated Lucian Freud's 2002 retrospective at Tate Britain, the Museo Correr and in Barcelona and Los Angeles, and the 2012 exhibition of Freud's drawings in London and New York. He also curated the 2002 John Constable exhibition at the Grand Palais with Freud. The Lives of Lucian Freud: Youth was shortlisted for the Baillie Gifford Prize and the Apollo Awards. He lives in London. Klappentext LONGLISTED FOR THE 2020 BAILLIE GIFFORD PRIZE CHOSEN AS A BOOK OF THE YEAR BY THE GUARDIAN , OBSERVER , THE TIMES , SUNDAY TIMES , DAILY TELEGRAPH , MAIL ON SUNDAY , FINANCIAL TIMES , NEW STATESMAN , SPECTATOR THE SUNDAY TIMES ART BOOK OF THE YEAR 2020 'A dazzling tour de force' THE TIMES 'Does justice to Freud's pitiless genius as an artist' DAILY MAIL 'You can hear Freud's voice on the page' OBSERVER 'Mesmerising . the ideal companion to Freud's work' GUARDIAN William Feaver, Lucian Freud's collaborator, curator and close friend, knew the unknowable artist better than most. Over many years, Freud narrated to him the story of his life, 'our novel'. Fame follows Freud at the height of his powers, painting the most iconic works of his career in a constant and dissatisfied pursuit of perfection, just outrunning his gambling debts and tailor's bills. Whether tattooing swallows at the base of Kate Moss's back or exacting a strange and horrible revenge on Jerry Hall and Mick Jagger, Freud's adventures were always perfectly characteristic. An enfant terrible till the end, even as he was commissioned to paint the Queen and attended his own retrospectives, what emerges is an artist wilfully oblivious to the glitter of the world around - and focussed instead on painting first and last. Vorwort The second half of William Feaver's Baillie Gifford Prize-shortlisted work of biography: the definitive story of the epic life of one of the twentieth century's most important artists Zusammenfassung LONGLISTED FOR THE 2020 BAILLIE GIFFORD PRIZE CHOSEN AS A BOOK OF THE YEAR BY THE GUARDIAN , OBSERVER , THE TIMES , SUNDAY TIMES , DAILY TELEGRAPH , MAIL ON SUNDAY , FINANCIAL TIMES , NEW STATESMAN , SPECTATOR THE SUNDAY TIMES ART BOOK OF THE YEAR 2020 'A dazzling tour de force' THE TIMES 'Does justice to Freud's pitiless genius as an artist' DAILY MAIL 'You can hear Freud's voice on the page' OBSERVER 'Mesmerising . the ideal companion to Freud's work' GUARDIAN William Feaver, Lucian Freud's collaborator, curator and close friend, knew the unknowable artist better than most. Over many years, Freud narrated to him the story of his life, 'our novel'. Fame follows Freud at the height of his powers, painting the most iconic works of his career in a constant and dissatisfied pursuit of perfection, just outrunning his gambling debts and tailor's bills. Whether tattooing swallows at the base of Kate Moss's back or exacting a strange and horrible revenge on Jerry Hall and Mick Jagger, Freud's adventures were always perfectly characteristic. An enfant terrible till the end, even as he was commissioned to paint the Queen and attended his own retrospectives, what emerges is an artist wilfully oblivious to the glitter of the world around - and focussed instead on painting first and last....
