Ambiguity in Charlotte Brontë's Villette

Charlotte Brontë's final novel Villette (1853) is associated with ambiguity because of its open ending: Does M. Paul return to narrator-protagonist Lucy Snowe or is he killed in a storm raging on the Atlantic? Taking its famous ending as a starting point, this study explores Villette as a text in which ambiguity is all-pervasive in various ways. Among these is the narrator's ambivalent attitude toward herself and others, epitomised in her stylistic idiosyncrasies. The links between ambiguity and doubt are explored through an analysis of Lucy's signature phrase, "I know not," expressive of her existential doubts and questioning attitude toward the world. The analysis moreover focuses on the motif of the oracle as a traditionally ambiguous utterance, and explores its relevance in the context of the generic tradition of Villette as a fictional autobiography. Another focus is the interplay of figurative and literal levels of meaning in the allegorical episodes, creating ambiguity.

About the author

Dr Olga Springer is Assistant Professor of German in the School of Applied Language and Intercultural Studies at Dublin City University, Ireland. Her research interests are ambiguity in literary texts and Victorian literature.

Product details

• Authors: Olga Springer
• Publisher: V&R unipress
• Languages: English
• Product format: Hardback
• Released: 01.01.2020
• EAN: 9783847111191
• ISBN: 978-3-8471-1119-1
• No. of pages: 283
• Dimensions: 156 mm x 21 mm x 236 mm
• Weight: 537 g
• Series: Close Reading; Close Reading / Series for Literary and Cultural Studies
• Subjects: Humanities, art, music > Linguistics and literary studies > English linguistics / literary studies; Literaturwissenschaft, Sprachwissenschaft, Linguistik, zweite Hälfte 19. Jahrhundert (1850 bis 1899 n. Chr.), Literaturwissenschaft, allgemein, Charlotte Brontë; Ambiguität; Englische Literatur; Viktorianische Literatur; Schiffbruch; Allegorie; Identität; Zweifel; Fiktive Autobiographie; English literature; Victorian literature; Shipwreck; Allegory; Identity; Doubt; Fictional autobiography