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THE LIVING END
Eddie Marlon is just a kid with a song he wants published, another city kid with dreams of being in the music business. His song is nothing special, but Eddie gets a tip that a local radio station needs help on the early morning shift. Marty Allen hires him to line up the records for his show. But the way Eddie sees it, Marty is a square-he doesn't go for the bucks that are to be had charging A&R guys to get their tunes on the air.
Eddie must have been born lucky because one night Marty needs Eddie to help him get the station boss out of a jam. Then they owe him. And when it's time to collect, Eddie is right there with a plan. He wants his own time slot and he wants to put on free shows with all the big talent, who will naturally play for free to get the air time. Eddie's got big plans alright. Because now it's his shot at the top-and if you want to be on Eddie's show, you're going to pay for it!
About the author
Frank Kane, Brooklyn-born and a lifetime New Yorker, worked for many years in journalism and corporate public relations before shifting to fiction writing. At the time he was selling crime stories to the pulps he was also sustaining a career writing scripts for such radio shows as Gangbusters and The Shadow.In addition to the Johnny Liddells, Kane wrote several suspense novels, some softcore erotica, and (under the pen name of Frank Boyd) "Johnny Staccato", a Gold Medal original paperback based on the short-lived noir television series, starring John Cassavetes, about a Greenwich Village bebop pianist turned private detective.
