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Informationen zum Autor By James H. Thrall Klappentext Mystic Moderns examines the responses of three British authors-Evelyn Underhill (1875-1941), May Sinclair (1863-1946), and Mary Webb (1881-1927)-to the emerging modernity of the long early twentieth-century moment encompassing the First World War. As they explored divergent but overlapping understandings of what mystical experience might be, these authors rejected claims that modernity's celebration of the secular and rational left no place for the mystical; rather, they countered, sensitivity to a greater reality could both establish and validate personal agency, and was integral to their identities as modern women. Their preoccupations with the dynamism of human connection drew on prevailing ideas of "vital energy" or "life force" developed by Arthur Schopenhauer and Henri Bergson in ways that channeled modernity's erotic energy of change. By using their fiction to describe new, self-authenticating forms of mysticism separate from either the prevailing orthodoxy of establishment Christianity or the extreme heterodoxy of their era's enthusiasm for paranormal experimentation, they also contributed to the rise of a generic concept of "spirituality." Mystic Moderns thus offers historical perspective on contemporary claims for self-constructed, non-institutional spiritual experience associated with the claim "I'm spiritual, not religious."Working as they did within the shadow of the First World War, Underhill, Sinclair, and Webb were, in the end, attempting to determine what might be of authentic value for a modern age marked by ubiquitous death. While not themselves utopian authors, each was touched by her era's complicated hunger for the best of all possible worlds. Their constructions of how an individual should be and act in the midst of modernity thus simultaneously projected visions of what that modernity itself should become. Inhaltsverzeichnis Introduction: Agencies and InnovationsChapter One: Considering the New: "modern," "modernity," and "modernism" Part One: Evelyn Underhill's Heroic MysticismChapter Two: Mystic Modes: Living, Dying, KnowingChapter Three: Catholic Aesthetics and Medieval ModernityChapter Four: Magics and Mysticisms: Finding a New OrthodoxyChapter Five: The Heroic Individual on the Mystic WayChapter Six: Gender, Class, and MysticismPart Two: May Sinclair's Erotic MysticismChapter Seven: Language and the Lure of IdealismChapter Eight: Deepest Desires: Embracing Erotic MysticismChapter Nine: Maintaining Control: Will and the Boundaries of SelfChapter Ten: Evolution's Promise: Consciousness, Species, ReligionChapter Eleven: Modernity, War, and Death: Mystic ResponsesChapter Twelve: Meeting the Dead: Ghost Stories for ModernsPart Three: Mary Webb's Mysticism of NatureChapter Thirteen: Country Living: Tales of Old and NewChapter Fourteen: Agency and Choice: Romanticism, Mysticism, CapitalismChapter Fifteen: Acting Naturally: Christianity, Sexuality, AgencyChapter Sixteen: Other Ways to Think?: The Puzzle of a Medieval TurnConclusion: Connections and Crossings...
