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Ecocriticism and Asian American Literature: Gold Mountains, Weedflowers, and Murky Globes offers an ecocritical reinterpretation of Asian American literature. The book considers more than a century of Asian American writing, from Eaton's Mrs. Spring Fragrance (1912) to Ozeki's A Tale for the Time Being (2013), through an ecocritical lens. The volume explores the most relevant landmarks in Asian American literature: the first-contact narratives written by Bulosan, Kingston, Mukherjee, and Jen; the controversial texts published by Sui Sin Far (Edith Eaton) at the time of the Yellow Peril; the rise of cultural nationalism in the 1970s and 1980s, illustrated by Wong's Homebase and Kingston's China Men; old and recent examples of "internment literature" dealing with the incarceration of Japanese Americans during WWII (Sone, Houston, Miyake, Kadohata); and the new trends in Asian American literature since the 1990s, exemplified by Yamashita's andOzeki's novels, which explore the challenges of our transnational, transnatural era. Begoña Simal-González's ecocritical readings of these texts provide crucial interdisciplinary insights, addressing and analyzing important narratives within Asian American culture and literature.
List of contents
Chapter 1: Introduction.- Chapter 2: Prelude Entering Nature's Nation.- Chapter 3: "Naturalizing" Asian Americans: Edith Eaton.- Chapter 4: Thinking (Like a) Gold Mountain: Maxine Hong Kingston and Shawn Wong.- Chapter 5: Cultivating the Anti-Campo: An Environmental Reading of "Internment Literature".- Chapter 6: Facing the End of Nature: Karen Tei Yamashita and Ruth Ozeki.- Chapter 7: Coda: Gold Mountains, Weedflowers and Murky Globes.
About the author
Begoña Simal-González is Professor and Head of the American Studies Research Group (CLEU), at the Universidade da Coruña, Spain. Her research focuses on Asian American literature, globalization and ecocriticism.
