Fr. 236.00

Mongol Court Dress, Identity Formation, and Global Exchange

English · Hardback

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Zusatztext "[Shea] concludes with an account of the impact of the importation of panni Tartarici (Tartar cloths) to Venice and other Italian city-states, and the representation of Mongol elites found in thirteenth-century Italian images. Far from seeing these as a kind of European proto-colonial discovery of the Asian other, Shea frames these images as evidence for Mongol influence on the cultures of the Mediterranean world, an important account that is often absent from the art history of the period."--CAA Reviews Informationen zum Autor Eiren L. Shea is Assistant Professor of Art and Art History at Grinnell College. Zusammenfassung The wide-ranging international exchange that occurred during the Mongol period is most apparent visually through the inclusion of Mongol motifs in textile, paintings, ceramics, and metalwork, among other media. Inhaltsverzeichnis 1. Felt, Leather, Silk, and Gold: On the Origins of Mongol Court Dress 2. Robing at Khubilai’s Court 3. "Pulling firmly her tall hat over her head:" Women’s Dress at the Yuan Court 4. Mongol Dress in West Asia 5. Global Reach: The Mongols and The Latin West Conclusion: The Mongol Legacy

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