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Zusatztext Mark My Words is a remarkable work that shows that `what we take away from both powerful prose and poetry are not the words themselves . . . so much as the suasions that typographical marks induce in our readings.' Citing a compelling concatenation of writers--Nabokov! Dickinson! Baldwin! Cummings--this book provides fresh analyses that will be of interest to writers and readers. Informationen zum Autor Lee Clark Mitchell Klappentext Why are Emily Dickinson and Henry James drawn habitually to dashes? What makes James Baldwin such a fan of commas, which William Carlos Williams tends to ignore? And why do that odd couple, the novelist Virginia Woolf and the short story specialist Andre Dubus II, both embrace semicolons, while E. E. Cummings and Nikki Giovanni forego punctuation entirely? More generally, what effect do such nonverbal marks (or their absence) have on an author's encompassing vision? The first book on modern literature to compare writers' punctuation, and to show how fully typographical marks alter our sense of authorial style, Mark My Words offers new ways of reading some of our most important and beloved writers as well as suggesting a fresh perspective on literary style itself.Shows how punctuation and personality are intertwined through profiles of classic modernist authors. Zusammenfassung Why are Emily Dickinson and Henry James drawn habitually to dashes? What makes James Baldwin such a fan of commas, which William Carlos Williams tends to ignore? And why do that odd couple, the novelist Virginia Woolf and the short story specialist Andre Dubus II, both embrace semicolons, while E. E. Cummings and Nikki Giovanni forego punctuation entirely? More generally, what effect do such nonverbal marks (or their absence) have on an author’s encompassing vision? The first book on modern literature to compare writers’ punctuation, and to show how fully typographical marks alter our sense of authorial style, Mark My Words offers new ways of reading some of our most important and beloved writers as well as suggesting a fresh perspective on literary style itself. Inhaltsverzeichnis Acknowledgments Prologue: What Can Punctuation Do? 1. Silence: Hemingway's Periods 2. Hesitation: Baldwin's Commas 3. Interruption: James's Dashes 4. Rupture: Dickinson's Dashes 5. Expansion: Woolf's Semicolons 6. Hemorrhage: Joyce, Morrison, Saramago, Sebald 7. Enjambment: Cummings, Williams, Giovanni 8. Incarceration: Nabokov's Parentheses 9. Plenitude: Faulkner's Array Epilogue: Punctuation as Style Bibliography Index ...
