Deleuze and Lola Montes

Gilles Deleuze represents the most widely referenced theorist of cinema today. And yet, even the most rudimentary pillars of his thought remain mysterious to most students (and even many scholars) of film studies. From one of the foremost theorists following Deleuze in the world today, Lola Montes offers a detailed explication of Gilles Deleuze's writings on film - from his books Cinema 1: The Movement-Image (1983) and Cinema 2: The Time-Image (1985). Building on this foundation, Rushton provides an interpretation of Max Ophuls's classic film Lola Montes as an example of how Deleuzian film theory can function in the practice of film interpretation.

Product details

• Authors: Dr Richard (Lancaster University Rushton, Richard Rushton
• Assisted by: Todd McGowan (Editor)
• Publisher: Bloomsbury Academic
• Languages: English
• Product format: Paperback / Softback
• Released: 31.12.2019
• EAN: 9781501345753
• ISBN: 978-1-5013-4575-3
• No. of pages: 200
• Dimensions: 126 mm x 196 mm x 14 mm
• Series: Film Theory in Practice
• Subjects: Humanities, art, music > Art > Theatre, ballet; PERFORMING ARTS / Film / History & Criticism, Individual Film Directors, Film-Makers, Film Theory & Criticism, PERFORMING ARTS / Individual Director, Film history, theory or criticism