Fr. 139.00

Urban Horror - Neoliberal Post-Socialism and the Limits of Visibility

English · Hardback

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Description

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Drawing on Marxist phenomenology, geography, and aesthetics and film from China, Hong Kong, and Taiwan made between the 1990s and the present, Erin Y. Huang theorizes the economic, cultural, and political conditions of neoliberal postsocialist China.

List of contents










Acknowledgments  ix
Introduction. Urban Horror: Speculative Futures of Chinese Cinemas  1
1. Cartographies of Socialism and Post-Socialism: The Factory Gate and the Threshold of the Visible World  33
2. Intimate Dystopias: Post-Socialist Femininity and the Marxist-Feminist Interior  69
3. The Post- as Media Time: Documentary Experiments and the Rhetoric of Ruin Gazing  101
4. Post-Socialism in Hong Kong: Zone Urbanism and Marxist Phenomenology  146
5. The Ethics of Representing Precarity: Film in the Era of Global Complicity  184
Epilogue  218
Notes  223
Bibliography  245
Index  259

About the author










Erin Y. Huang is Assistant Professor of East Asian Studies and Comparative Literature at Princeton University.

Summary

Drawing on Marxist phenomenology, geography, and aesthetics and film from China, Hong Kong, and Taiwan made between the 1990s and the present, Erin Y. Huang theorizes the economic, cultural, and political conditions of neoliberal postsocialist China.

Product details

Authors Erin Y Huang, Erin Y. Huang
Publisher Duke University Press
 
Languages English
Product format Hardback
Released 29.02.2020
 
EAN 9781478006794
ISBN 978-1-4780-0679-4
No. of pages 277
Series Sinotheory
Subjects Humanities, art, music > Art > Theatre, ballet
Non-fiction book > History > Miscellaneous

Literaturtheorie, China, Asiatische Geschichte, LITERARY CRITICISM / Semiotics & Theory, PERFORMING ARTS / Film & Video / History & Criticism, Pop Arts / Pop Culture, HISTORY / Asia / China

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