Fr. 199.00

Romantic Automata - Exhibits, Figures, and Organisms

English · Hardback

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Description

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A deep dread of puppets and the machinery that propels them surfaced in Romantic literature in the late eighteenth and early nineteenth century; Romantic Automata is a collection of essays examining the rise of cultural suspicion of all imitations of homo sapiens and similar machinery, as witnessed in the literature and arts of the time.


List of contents










 

List of Illustrations

 

Acknowledgements

 

Notes on Contributors and Co-editors

 

Introduction

Michael Demson and Christopher R. Clason

 

Chapters:

Section I: Exhibitions

 

   1. The Uncanny Valley: E. T. A. Hoffmann, Sigmund Freud, Masahiro Mori

        Frederick Burwick

 

   2. The (Re-)Winding of Hoffmann's Automata: from Offenbach's 1881 Opera to Powell and Pressburger's 1951 Film

 

        Ashley Shams

 

   3. Wounded Bodies in the Lithographs of Théodore Géricault, 1818-1820

        Peter Erickson

 

Section II: Figures

 

   4. Romantic Tales of Pseudo Automata: The Chess-Playing Turk in Hoffmann, Poe, and Benjamin

 

        Wendy Nielsen

 

   5. On Toys, Violence, and Automated Gender

 

        Erin Goss

 

   6. Automatic for All: Mary Shelley's Posthuman Passion

 

        Kate Singer

 

   7. "A little earthly idol to contract your ideas": Global Hermeneutics in Phebe Gibbes's Zoriada, or, Village Annals (1786)

 

        Kathryn Freeman

 

Section III: Organisms

 

   8. Schelling's Uncanny Organism

 

        Stefani Engelstein

 

   9. "it [...] lives by dying": S. T. Coleridge's Mechanical Life and Colonial Necropolitics

 

        Lenora Hanson

 

   10. The Metaphysical Machinery of Mining in Novalis's Works

 

        Christina M. Weiler

 

Bibliography

 

Index


About the author










Michael Demson is an associate professor at Sam Houston State University in Huntsville, Texas, where he teaches courses in Romanticism, literary theory, and world literature. He has published numerous scholarly articles, co-edited Commemorating Peterloo: Violence, Resilience and Claim-Making in the Romantic Era (2019) and a graphic novel, Masks of Anarchy (2013).

 

Christopher R. Clason is an emeritus professor of German language and literature at Oakland University in Rochester, Michigan. He has authored numerous articles in German medieval and Romantic literature. He is the editor of E.T.A. Hoffmann: Transgressive Romanticism (2018) and co-editor of several collections of essays.

 


Summary

A deep dread of puppets and the machinery that propels them surfaced in Romantic literature in the late eighteenth and early nineteenth century. This book is a collection of essays examining the rise of cultural suspicion of all imitations of homo sapiens and similar machinery, as witnessed in the literature and arts of the time.

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