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This collection of letters, 85 percent of them previously unpublished, constitute a rich self-portrait of the artist and a vivid eyewitness chronicle of the twentieth century.
List of contents
List of plates; List of maps; General editor's introduction; Acknowledgments; Note on the text; Abbreviations and short titles; Introduction to the volume; Chronology; Maps; The Letters 1932-May 1934; Roster of correspondents; Calendar of letters; Index of recipients; General index.
About the author
Sandra Spanier, Edwin Earle Sparks Professor of English at Pennsylvania State University, is General Editor of The Cambridge Edition of the Letters of Ernest Hemingway and co-editor of the first four volumes. Her essays have appeared in Modern Critical Interpretations: 'A Farewell to Arms' (1987), New Essays on 'A Farewell to Arms' (Cambridge, 1990), Hemingway and Women: Female Critics and the Female Voice (2002), and Ernest Hemingway in Context (Cambridge, 2013), and she serves on the editorial board of The Hemingway Review. Her books include Kay Boyle: A Twentieth-Century Life in Letters (2015), Process: A Novel by Kay Boyle (2001) and Martha Gellhorn and Virginia Cowles's rediscovered play, Love Goes to Press (1995; revised edition 2010).Miriam B. Mandel, Senior Lecturer in the Department of English and American Culture at Tel Aviv University, served as Associate Editor of earlier volumes and co-editor of the fourth volume of The Letters of Ernest Hemingway. Her books include Reading Hemingway: The Facts in the Fictions (1995, re-issued 2011), Hemingway's 'Death in the Afternoon': The Complete Annotations (2008), and Hemingway's 'The Dangerous Summer': The Complete Annotations (2008). She is the editor of A Companion to Hemingway's 'Death in the Afternoon' (2004) and Hemingway and Africa (2011, re-issued 2016), has published more than thirty essays in academic journals and books, is the recipient of seven major grants, and serves on the editorial board of The Hemingway Review.
Summary
Hemingway's letters record immediate experiences that inspired his art, trace the development of his works, and present an eyewitness account of contemporary history. With broad appeal for scholars and students of twentieth-century literature, culture, journalism, creative writing, and general readers of this influential Nobel Laureate.
