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Creative Practice Ethnographies examines how the collaboration between creative practice and ethnography enables scholars and practitioners to hone research strategies and methods within contemporary contexts. The authors use three heuristics—techniques, translations, and transmissions—to illustrate how this interdisciplinary strategy operates.
List of contents
List of Figures
Acknowledgments
Introduction: Doing Creative Practice Ethnographies
Chapter 1: Doing Collaborative and Creative Interdisciplinary Research
Section I: Invitations & Encounters
Chapter 2: Creative Invitations
Chapter 3: Speculative Encounters
Section II: Mapping & Mobilities
Chapter 4: Understanding Mapping
Chapter 5: Making Mobilities
Section III: Play & Performance
Chapter 6: Social Play
Chapter 7: Performing Futures
Conclusion
Bibliography
About the Authors
About the author
Larissa Hjorth is distinguished professor and director of the Design & Creative Practice Enabling Capability Platform at RMIT University. Anne Harris is associate professor and vice chancellor’s principal research fellow at RMIT University.Anne Harris is associate professor and vice chancellor’s principal research fellow at RMIT University.Kat Jungnickel is senior lecturer in the Department of Sociology at Goldsmiths, University of London.Gretchen Coombs is postdoctoral research fellow in the Design & Creative Practice Enabling Capability Platform at RMIT University.
Summary
Creative Practice Ethnographies examines how the collaboration between creative practice and ethnography enables scholars and practitioners to hone research strategies and methods within contemporary contexts. The authors use three heuristics—techniques, translations, and transmissions—to illustrate how this interdisciplinary strategy operates.
