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Zusatztext This engaging multi-disciplinary study encourages us to ‘look’ at the face and its multiple facets from a variety of points of view. It is a much-needed first step in gaining a better, more holistic understanding of the face and its perceptions throughout time. Informationen zum Autor Patricia Skinner is Wellcome Research Fellow in History of Medicine at Swansea University, UK. Emily Cock is Honorary Research Fellow in the Centre for Medieval and Early Modern Research at Swansea University, UK. Vorwort An interdisciplinary analysis of facial difference and disfigurement from antiquity to contemporary times. Zusammenfassung What is a face and how does it relate to personhood? Approaching Facial Difference: Past and Present offers an interdisciplinary exploration of the many ways in which faces have been represented in the past and present, focusing on the issue of facial difference and disfigurement read in the light of shifting ideas of beauty and ugliness. Faces are central to all human social interactions, yet their study has been much overlooked by disability scholars and historians of medicine alike. By examining the main linguistic, visual and material approaches to the face from antiquity to contemporary times, contributors place facial diversity at the heart of our historical and cultural narratives. This cutting-edge collection of essays will be an invaluable resource for humanities scholars working across history, literature and visual culture, as well as modern practitioners in education and psychology. Inhaltsverzeichnis List of FiguresList of TablesNotes on ContributorsAcknowledgments 1. Introduction: Situating the Different Face, Patricia Skinner (Swansea University, UK) and Emily Cock (Swansea University, UK) PART 1: LANGUAGE 2. Dis/enabling Courtesy and Chivalry in the Middle English and Early Modern Gawain Romances and Ballads, Bonnie Millar (University of Nottingham, UK) 3. ‘A Great Blemish to her Beauty’: Female Facial Disfigurement in Early Modern England, Michelle Webb (University of Exeter, UK) 4. Does Talking about Disfigurement Risk Perpetuating Stigma? Jane Frances (Changing Faces, UK) PART 2: VISIBILITY 5. Hair Loss as Facial Disfigurement in Ancient Rome? Jane Draycott (University of Glasgow, UK) 6. Portrait? Likeness? Composite? Facial Difference in Forensic Art, Kathryn Smith (Liverpool John Moores University, UK) 7. From ‘Staring’ to ‘Not Caring’: Development of Psychological Growth and Wellbeing among Adults with Cleft Lip and Palate, Patricia Neville (University of Bristol, UK), Andrea Waylen (University of Bristol, UK), Sara Ryan (University of Oxford, UK) and Aidan Searle (University of Bristol, UK) 8. Making Up the Female Face: Pain and Imagination in the Music Videos of CocoRosie, Morna Laing (University of the Arts, London, UK) PART 3: MATERIALITY 9. Archaeological Facial Depiction for People from the Past with Facial Differences, Caroline Wilkinson (Liverpool John Moores University, UK) 10. “Trotule (Trotula) Puts Many Things on to Decorate and Embellish the Face but I Intend Solely to Remove Infection”: L’Abbe Poutrel and his Chirurgerie c.1300, Theresa Tyers (Swansea University, UK) 11. Disrupting Our Sense of the Past: Medical Photographs that Push Interpreters to the Limits of Historical Analysis, Jason Bate (University of Exeter, UK) Bibliography Index ...
