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Zusatztext "An important work of scholarship! this book shows that the flowering of English Renaissance drama produced or was in part fostered by! the emergence of a new class of readers. Shakespeare and his contemporaries wrote for readers as well as audiences and the modern age was born." -Susan Rowland! PhD. Professor of English and Jungian Studies! Pacifica Graduate Institute! California."For scholars interested in the problem of audiences and play reception! Akihiro Yamada's Experiencing Drama in the English Renaissance: Readers and Audiences is a perfect book to read since it takes up the question from the point of view of print! rather than performance." - Henry S. Turner! SEL Studies in English Literature 1500 - 1900! Vol 58! No 2! 2018"What is most striking on reading the book is its sheer level of detail as well as the scope of his [Yamada's]research."- Peter Sutton! University of St Andrews"All in all! Experiencing Drama in the English Renaissance is a major scholarly achievement! attesting to the author's exceptional expertise in English Renaissance drama! bibliographical criticism and paleography. This book! with its numerous statistical tables and the bibliographic details presented in its main body and appendixes! provides invaluable information on the progress of literacy! the expansion of book readership! stationers' activities! dramatic audiences! and the performance and publication of drama in sixteenth- and seventeenth-century England! as well as on dramatic manuscripts and early modern readers of playbooks."- Kazuaki Ota! Shakespeare Studies Informationen zum Autor Dr. Akihiro Yamada is a retired Professor of English Literature at Meisei University, Tokyo and is the author for more than a dozen books on Shakespeare and English Literature. Klappentext This book investigates the complex interactions, through experiencing drama, of readers and audiences in the English Renaissance. Zusammenfassung This book investigates the complex interactions, through experiencing drama, of readers and audiences in the English Renaissance. Inhaltsverzeichnis Preface Tables, Figures and Acknowledgments Works Cited and Abbreviations Introduction to Shakespeare and the Population of London PART ONE: Authors/Playwrights, Readers and Theatre-goers: Their Mutual Interactions Chapter 1: The Formation of a Class of Readers Chapter 2: The Improvement of Literacy and its Reflection in Drama Chapter 3: The Rise of Drama and the Birth of a Class of Readers of Drama PART TWO: Playwrights, Playbook Readers and Printers/Publishers: Their Increasing Cooperation for the Unification of Forms of Dramatic Texts Chapter 4: Changes in Form of Dramatic Texts: A Standardization PART THREE: Playbook Readers and their Responses to the Text Chapter 5: Readers of Drama—their Annotations (1): Play-Quartos of Chapman, Ford and Marston Chapter 6: Readers of Drama—their Annotations (2): Play-Quartos and the First Folio of Shakespeare Conclusion: The Zeal of Audiences and the Passion of Readers Appendixes A1: The Estimated Population of London: A Comparison between Yamada and Sutherland A2: The Distribution Ratio of Minors’ Age-structure of the British Population in the Sixteenth and Seventeenth Centuries A3: Principles for Table 8 concerning Plays which contain Scenes of, or References to, Reading and/or Writing—a Memorandum A4: Shakespeare’s Plays: Their Dates and Proposers of Dates, &c. A5: Play-Quartos Published in the 1590s A6: A List of Play-Quartos Examined A List of Plays and Other Works mentioned with the Authors’ Names Index ...
