Only Connect - Art and the Spectator in the Italian Renaissance

Summary

A leading art historian’s plea for a more engaged reading of Italian Renaissance art

Only Connect constructs a history of Renaissance paintings and sculptures that are by design completed outside themselves by the spectator, that draw the spectator into their narrative plot or aesthetic functioning, and that reposition the spectator imaginatively or in time and space. John Shearman’s concern is mostly with anterior relationships with the viewer—that is, relationships conceived and constructed as part of a work’s design, making, and positioning. He proposes unconventional ways in which works of art may be distinguished from one another, and in which spectators may be distinguished as well, and enlarges the accepted field of artistic invention.

Only Connect challenges us to recognize the presuppositions of Renaissance artists about their viewers, shining a light on the process of discovery by some of the most inventive and intellectual artists of the period.

Additional text

"[Shearman's] argument that the observer, in the artist's mind, was as carefully placed, posed and arranged as the content of the work is sustained by considerable intelligence and scholarship."---Robin Blake, Independent on Sunday

Product details

• Authors: John Shearman, John K. G. Shearman, John K.G. Shearman
• Publisher: Princeton University Press
• Languages: English
• Product format: Hardback
• Released: 31.08.2019
• EAN: 9780691656830
• ISBN: 978-0-691-65683-0
• No. of pages: 286
• Series: Princeton Legacy Library; The A. W. Mellon Lectures in the Fine Arts; Bollingen Series (General); Bollingen Series; Princeton Legacy Library, 5579
• Subjects: Humanities, art, music > Art > Art history; ART / History / General, ART / European, Italy, History of Art, Renaissance art, Renaissance style