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Nisi Shawl’s steampunk-flavored alternate history of the “Belgian” Congo,
Everfair, has taken the science fiction and fantasy world by storm. No surprise there. Their swift, sure, and savvy short stories had already established them as a cutting-edge Afrofuturist icon whose politically charged fiction is in the grand feminist tradition of Ursula K. Le Guin, Octavia Butler, and Suzy McKee Charnas.
In these previously uncollected stories, Shawl explores the unexpected possibilities and perils opened up by SF&F’s new intersectionality. In Shawl’s side-slippery world, sex can be both commerce and worship, complete with ancient rites, altars, and ointments (“Women of the Doll”); a virtual reality high school is a proving ground for girlpacks and their unfortunate adversaries (“Walk like a Man”); and a British rock singer finds an image in a mirror that reflects both future hits and ancient horrors (“Something More”). Also included is a presentation at a southern university, in which they patiently (and gleefully) deconstructs the academic and arcane intersections between ancient rites and modern tech. Ifa, anyone?
Plus:
Our Outspoken Interview with Shawl, in which unapologetics are proffered, riddles are unraveled, and icons are, as always, clasted.
About the author
Nisi Shawl is an African American writer, editor, and journalist. They are best known for their science fiction and fantasy stories and novels dealing with race, gender, and sexual orientation. They live in Seattle, where they also write on political and cultural matters for the Seattle Times. Even before Shawl’s steampunk-flavored alternate history of the "Belgian" Congo,
Everfair, took the sci-fi world by storm, their short stories had already established them as a cutting-edge black writer whose politically charged fiction is in the grand feminist tradition of Ursula Le Guin, Octavia Butler, and Joanna Russ.
Summary
Nisi Shawl’s steampunk-flavored alternate history of the “Belgian” Congo, Everfair, has taken the science fiction and fantasy world by storm. No surprise there. Their swift, sure, and savvy short stories had already established them as a cutting-edge Afrofuturist icon whose politically charged fiction is in the grand feminist tradition of Ursula K. Le Guin, Octavia Butler, and Suzy McKee Charnas.
In these previously uncollected stories, Shawl explores the unexpected possibilities and perils opened up by SF&F’s new intersectionality. In Shawl’s side-slippery world, sex can be both commerce and worship, complete with ancient rites, altars, and ointments (“Women of the Doll”); a virtual reality high school is a proving ground for girlpacks and their unfortunate adversaries (“Walk like a Man”); and a British rock singer finds an image in a mirror that reflects both future hits and ancient horrors (“Something More”). Also included is a presentation at a southern university, in which they patiently (and gleefully) deconstructs the academic and arcane intersections between ancient rites and modern tech. Ifa, anyone?
Plus:
Our Outspoken Interview with Shawl, in which unapologetics are proffered, riddles are unraveled, and icons are, as always, clasted.
