Fr. 35.50

Ferrante Letters - An Experiment in Collective Criticism

English · Paperback / Softback

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Description

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In The Ferrante Letters, four critics create a series of epistolary readings of the Neapolitan Quartet that also develops new ways of reading and thinking together. In a series of intertwined, original, and daring readings of Elena Ferrante¿s work and her fictional world, they strike a tone that falls between the seminar and the book club.

List of contents

Introduction: Collective Criticism
I. Letters (2015)
My Brilliant Friend
The Story of a New Name
Those Who Leave and Those Who Stay
The Story of the Lost Child
II. Essays (2018)
Unform, by Sarah Chihaya
The Story of a Fiction, by Katherine Hill
The Queer Counterfactual, by Jill Richards
The Cage of Authorship, by Merve Emre
Afterword
Appendix: Guest Letters, by Sara Marcus, Marissa Brostoff, Lili Loofbourow, Cecily Swanson, and Amy Schiller
Acknowledgments
Notes
Bibliography

About the author










Sarah Chihaya, Merve Emre, Katherine Hill, and Juno Jill Richards

Summary

Like few other works of contemporary literature, Elena Ferrante’s Neapolitan novels found an audience of passionate and engaged readers around the world. Inspired by Ferrante’s intense depiction of female friendship and women’s intellectual lives, four critics embarked upon a project that was both work and play: to create a series of epistolary readings of the Neapolitan Quartet that also develops new ways of reading and thinking together.

In a series of intertwined, original, and daring readings of Ferrante’s work and her fictional world, Sarah Chihaya, Merve Emre, Katherine Hill, and Juno Jill Richards strike a tone at once critical and personal, achieving a way of talking about literature that falls between the seminar and the book club. Their letters make visible the slow, fractured, and creative accretion of ideas that underwrites all literary criticism and also illuminate the authors’ lives outside the academy. The Ferrante Letters offers an improvisational, collaborative, and cumulative model for reading and writing with others, proposing a new method the authors call collective criticism. A book for fans of Ferrante and for literary scholars seeking fresh modes of intellectual exchange, The Ferrante Letters offers incisive criticism, insouciant riffs, and the pleasure of giving oneself over to an extended conversation about fiction with friends.

Additional text

The Ferrante Letters is extremely absorbing. It’s rare to come across university-nurtured criticism, informed by theory, that is jargon-free and studded with insight.

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