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A major reinterpretation of Horace's famous literary manualFor two millennia, the Ars Poetica (Art of Poetry), the 476-line literary treatise in verse with which Horace closed his career, has served as a paradigmatic manual for writers. Rarely has it been considered as a poem in its own right, or else it has been disparaged as a great poet's ba
About the author
Jennifer Ferriss-Hill is associate professor of classics and senior associate dean for academic affairs at the University of Miami and the author of Roman Satire and the Old Comic Tradition.
Summary
A major reinterpretation of Horace's famous literary manual
For two millennia, the Ars Poetica (Art of Poetry), the 476-line literary treatise in verse with which Horace closed his career, has served as a paradigmatic manual for writers. Rarely has it been considered as a poem in its own right, or else it has been disparaged as a great poet's baffling outlier. Here, Jennifer Ferriss-Hill for the first time fully reintegrates the Ars Poetica into Horace's oeuvre, reading the poem as a coherent, complete, and exceptional literary artifact intimately linked with the larger themes pervading his work.
Arguing that the poem can be interpreted as a manual on how to live masquerading as a handbook on poetry, Ferriss-Hill traces its key themes to show that they extend beyond poetry to encompass friendship, laughter, intergenerational relationships, and human endeavor. If the poem is read for how it expresses itself, moreover, it emerges as an exemplum of art in which judicious repetitions of words and ideas join disparate parts into a seamless whole that nevertheless lends itself to being remade upon every reading.
Establishing the Ars Poetica as a logical evolution of Horace's work, this book promises to inspire a long overdue reconsideration of a hugely influential yet misunderstood poem.
Foreword
An important new reinterpretation of Horace’s famous literary manual, the Ars Poetica, as an art of living
Additional text
"What the book does do well is to document an intelligent reader’s journey through this most elusive of poems. In the process it offers us a new way of thinking about it, one in which its apparent center moves to the margins and its apparent defects become strengths. It offers a richer and more interesting Ars than most of us are used to, but one recognizably by the Horace we know from other works."---Gregory Hays, New York Review of Books
