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This book discusses British novels published during the 1970s which feature terrorists either as main characters or a major plot points. The focus on terrorism's literary depiction provides insight into the politics of the decade. The book analyses texts from Gerald Seymour, Anthony Burgess, V.S. Naipaul, Graham Greene, Doris Lessing, B.S. Johnson, Tom Sharpe, and Eric Ambler, among others, in order to engage with the IRA, the end of Empire, counterculture and environmentalism. The book provides a brief history of terrorism as a concept and tactic before discussing British literature's relationship with terrorism. It presents a "standard terrorist morphology" by which to analyse terrorist narratives along with other insights into the British post-war imagination, writing and extremism.
List of contents
1. Introduction.- 2. A Short History of Terrorism as Concept and Tactic.- 3. The Terrorist Novel, Thriller and Postcolonial Britain.- 4. Writing the IRA from the Mainland.- 5. Counter-cultural Writers and the Angry Brigade.- 6. Environmentalists and Conservationists.- 7. Conclusion.
About the author
Joseph Darlington is Programme Leader for BA(Hons) Digital Animation with Illustration at Futureworks Media School. His completed a PhD in 2014 on British experimental novelists, was awarded a Harry Ransom Fellowship and is co-editor of
BSJ: The B.S. Johnson Journal. He has published widely on literature, culture and technology.
Summary
This book discusses British novels published during the 1970s which feature terrorists either as main characters or a major plot points. The focus on terrorism’s literary depiction provides insight into the politics of the decade. The book analyses texts from Gerald Seymour, Anthony Burgess, V.S. Naipaul, Graham Greene, Doris Lessing, B.S. Johnson, Tom Sharpe, and Eric Ambler, among others, in order to engage with the IRA, the end of Empire, counterculture and environmentalism. The book provides a brief history of terrorism as a concept and tactic before discussing British literature’s relationship with terrorism. It presents a “standard terrorist morphology” by which to analyse terrorist narratives along with other insights into the British post-war imagination, writing and extremism.
Additional text
“The structure and clarity of this book is superb. … The point to make is that this book is as useful to film studies as it is to literature studies and politics. It would also serve a more avid but non-academic cineaste well. … I finish the book feeling that the limits of my world are the limits of what I can know … . A historical and philosophical work then, too. Highly recommended.” (Steve Hanson, manchesterreviewofbooks.wordpress.com, November, 2018)
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"The structure and clarity of this book is superb. ... The point to make is that this book is as useful to film studies as it is to literature studies and politics. It would also serve a more avid but non-academic cineaste well. ... I finish the book feeling that the limits of my world are the limits of what I can know ... . A historical and philosophical work then, too. Highly recommended." (Steve Hanson, manchesterreviewofbooks.wordpress.com, November, 2018)
