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This book examines the phenomenon of the reappearance of characters in nineteenth-century French fiction. It approaches this from a hitherto unexplored perspective: that of the twin history of the aesthetic notion of originality and the legal notion of literary property. While the reappearance of characters in the works of canonical authors such as Honoré de Balzac and Émile Zola is usually seen as a device which transforms the individual works of an author into a coherent whole, this book argues that the unprecedented systematisation of the reappearance of characters in the nineteenth century has to be seen within a wider cultural, economic, and legal context. While fictional characters are seen as original creations by their authors, from a legal point of view they are considered to be 'ideas' which are not protected and can be appropriated by anyone. By co-examining the reappearance of characters in the work of canonical authors and their reappearances in unauthorised appropriations, such as stage adaptations and sequels, this book discusses a series of issues that have shaped our understanding of authorship, originality, and property.
List of contents
Introduction: 'La littérature ruminante'.- 1. 'Le revenant littéraire': Balzac and the Reappearance of Characters as a Strategy of Re-appropriation.- 2. Zola and 'le revenant héréditaire'.- 3. The Poetics of Forgery in Charles Rabou's Sequel to Balzac's Le Député d'Arcis.- 4. 'Tous pour un, un pour tous': Alexandre Dumas, Auguste Maquet, and the Musketeers Trilogy.- 5. 'Le collaborateur fantomatique': Zola, William Busnach, and the Adaptations of Les Rougon-Macquart for the Stage.- Concluding Reflections.- Appendix 1. List of the Stage Adaptations of Balzac's Works during his Lifetime.- Appendix 2. List of the Changes in the Description of the Heredity of the Rougon-Macquart.
About the author
Sotirios Paraschas is Teaching Fellow in Modern Greek at King's College, London, UK, and has previously been Leverhulme Early Career Fellow in French at the University of Warwick. He is the author of
The Realist Author and Sympathetic Imagination (2013).
Summary
This book examines the phenomenon of the reappearance of characters in nineteenth-century French fiction. It approaches this from a hitherto unexplored perspective: that of the twin history of the aesthetic notion of originality and the legal notion of literary property. While the reappearance of characters in the works of canonical authors such as Honoré de Balzac and Émile Zola is usually seen as a device which transforms the individual works of an author into a coherent whole, this book argues that the unprecedented systematisation of the reappearance of characters in the nineteenth century has to be seen within a wider cultural, economic, and legal context. While fictional characters are seen as original creations by their authors, from a legal point of view they are considered to be ‘ideas’ which are not protected and can be appropriated by anyone. By co-examining the reappearance of characters in the work of canonical authors and their reappearances in unauthorised appropriations, such as stage adaptations and sequels, this book discusses a series of issues that have shaped our understanding of authorship, originality, and property.
