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This lively anthology explores the impact of the art, images and ideas associated with Maoism on artistic practices around the world from 1945 to the present. It establishes that the chameleonic appearances of global Maoism deserve a more prominent place in the study of art history.
List of contents
Introduction: the art of contradiction -
Jacopo Galimberti, Noemi de Haro García and Victoria H. F. Scott1 Realising the Chinese Dream: three visions of Making China great again -
Stefan R. Landsberger2 Realism, socialist realism and China's avant-garde: a historical perspective -
Yan Geng3 Engineering the human soul in 1950s Indonesia and Singapore -
Simon Soon4 Framing margins: Mao and visuality in twentieth-century India -
Sanjukta Sunderason5 The
Black Panther newspaper and revolutionary aesthetics -
Colette Gaiter6 The Red Flag: the art and politics of West German Maoism -
Lauren Graber and Daniel Spaulding7 A secondary contradiction: feminist aesthetics and 'The Red Room for Vietnam' -
Elodie Antoine8 Materialist translations of Maoism in the work of Supports/Surfaces -
Allison Myers9 Mao, militancy and media: Daniel Dezeuze and China from scroll to (TV) screen -
Sarah Wilson10 La Familia Lavapiés: Maoism, art and dissidence in Spain -
Noemi de Haro García11 Maoism, Dadaism and Mao-Dadaism in 1960s and 1970s Italy -
Jacopo Galimberti12 Another red in the Portuguese diaspora: Lourdes Castro and Manuel Zimbro's
Un autre livre rouge -
Ana Bigotte Vieira and André Silveira13 Avenida Mao Tse Tung (or how artists navigated the Mozambican Revolution) -
Polly Savage14 Maoist imaginaries in Latin American art -
Ana Longoni15 Iconography of a prison massacre: drawings by Peruvian Shining Path war survivors -
Anouk Guiné16 Mao in a gondola: Chinese representation at the Venice Biennale (1993-2003) -
Estelle Bories17 Reproducibility, propaganda and the Chinese origins of neoliberal aesthetics -
Victoria H. F. ScottIndex
About the author
Jacopo Galimberti is a British Academy Postdoctoral Fellow at the University of Manchester
Noemi de Haro García is Ramón y Cajal Fellow at the Universidad Autónoma de Madrid
Victoria H. F. Scott is an independent scholar
Summary
This lively anthology explores the impact of the art, images and ideas associated with Maoism on artistic practices around the world from 1945 to the present. It establishes that the chameleonic appearances of global Maoism deserve a more prominent place in the study of art history. -- .
