Read more
This book helps the reader understand what lies behind the use of monster images in relation to terrorism, exploring why media and government officials present or frame terrorists as monsters, but also why terrorists themselves sometimes try to act as such. Marco Pinfari argues that portraying terrorists as unmanageable monsters typically serves specific political agendas that, in turn, are designed to legitimize specific counter-terrorist policies. For terrorists,
acting in ways that can be perceived as uncontrollable and inhumane is a rational tactic that has many precedents in the history of terrorism. By exploring the rational processes that lie behind the portrayal (or self-representation) of terrorists as inhumane, brutish and monstrous beings, this book
challenges several common perceptions of the nature of contemporary terrorism.
About the author
Marco Pinfari is Assistant Professor of International Relations at the American University in Cairo (AUC). His research focuses on regional security, terrorism, and domestic conflict, with a regional specialization on the Middle East and North Africa. He has published widely in journals such as the Journal of Conflict Resolution, Studies in Conflict and Terrorism, and Terrorism and Political Violence.
Summary
From the chilling threats of the "ISIS vampire" to the view of al-Qaeda as the "Frankenstein the CIA created," terrorism seems to be inextricably bound with monstrosity. But why do the media and government officials often portray terrorists as monsters? And perhaps more puzzling, why do terrorists sometimes want to be perceived as such?
This book, the first of its kind, examines the use of archetypal metaphors of monstrosity in relation to terrorism, from the gorgons of Robespierre's "reign of terror" to the dragons and lycanthropes of anarchism, the beasts and blood-licking demons of ethnonational terrorism, and the hydras and Frankenstein's monsters of Islamic jihadism. Marco Pinfari argues that politicians frame terrorists as unmanageable monsters not only in an effort at cultural "othering" and dehumanization, but also to secure popular backing for rule-breaking behavior in counter-terrorism. The book also explores the way that terrorists themselves impersonate monsters, showing that several groups have pursued such a tactic throughout the history of terrorism. It contributes to a number of ongoing public debates by highlighting how, even when actors like the Islamic State present themselves as mad and irrational, their tactics remain in essence rational. Pinfari also provides an original historical outlook on the roots of monster metaphors and discusses several types of terrorism, including state terrorism, left-wing terrorism, anarchism, ethnonationalist terrorism, and white supremacist groups. In unpacking the functions played by monster metaphors and by their impersonation, Terrorists as Monsters helps the reader understand the political processes that hide behind the fangs.
Additional text
Highly recommended.
