Fr. 110.00

Manga Cultures and the Female Gaze

English · Hardback

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Description

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The female gaze is used by writers and readers to examine narratives from a perspective that sees women as subjects instead of objects, and the application of a female gaze to male-dominated discourses can open new avenues of interpretation. This book explores how female manga artists have encouraged the female gaze within their work and how female readers have challenged the male gaze pervasive in many forms of popular media. Each of the chapters offers a close reading of influential manga and fancomics to illustrate the female gaze as a mode of resistant reading and creative empowerment. By employing a female gaze, professional and amateur creators are able to shape and interpret texts in a manner that emphasizes the role of female characters while challenging and reconfiguring gendered themes and issues.

List of contents

1. Introduction: Interrogating the Text from the Wrong Perspective.- 2. Short Skirts, Superpowers, and the Evolution of the Beautiful Fighting Girl.- 3. The Maiden and the Witch: CLAMP's Subversion of Female Character Tropes.- 4. Queering the Media Mix: The Female Gaze in Japanese Fancomics.- 5. Beautiful War Games: Transfiguring Genders in Video Game Fancomics.- 6. Link Is Not Silent: Queer Disability Positivity in Fan Readings of The Legend of Zelda: Breath of the Wild.- 7. The Cultural Cross-Pollination of Sh jo Manga.

About the author

Kathryn Hemmann received a PhD from the University of Pennsylvania and is the author of numerous essays on Japanese fiction, graphic novels, and video games. They also run the blog Contemporary Japanese Literature (japaneselit.net), which features reviews of fiction in translation and posts on gender, society, and popular culture.

Summary

The female gaze is used by writers and readers to examine narratives from a perspective that sees women as subjects instead of objects, and the application of a female gaze to male-dominated discourses can open new avenues of interpretation. This book explores how female manga artists have encouraged the female gaze within their work and how female readers have challenged the male gaze pervasive in many forms of popular media. Each of the chapters offers a close reading of influential manga and fancomics to illustrate the female gaze as a mode of resistant reading and creative empowerment. By employing a female gaze, professional and amateur creators are able to shape and interpret texts in a manner that emphasizes the role of female characters while challenging and reconfiguring gendered themes and issues.

Additional text

“Kathryn Hemmann’s insightful book adds a much-needed perspective on our understanding of the field of Manga Studies and its interconnectedness to closely related disciplines and mediums, particularly as Japanese popular culture, despite the relative cooling down of the ‘Cool Japan’ frenzy during the 2010s, continues to inspire and draw audiences to professional and fan-made content.” (Brandon Murakami, ImageTexT, imagetextjournal.com, Vol. 12 (2), 2021)

Report

"Kathryn Hemmann's insightful book adds a much-needed perspective on our understanding of the field of Manga Studies and its interconnectedness to closely related disciplines and mediums, particularly as Japanese popular culture, despite the relative cooling down of the 'Cool Japan' frenzy during the 2010s, continues to inspire and draw audiences to professional and fan-made content." (Brandon Murakami, ImageTexT, imagetextjournal.com, Vol. 12 (2), 2021)

Product details

Authors Kathryn Hemmann
Publisher Springer, Berlin
 
Languages English
Product format Hardback
Released 01.01.2020
 
EAN 9783030180942
ISBN 978-3-0-3018094-2
No. of pages 173
Dimensions 170 mm x 19 mm x 221 mm
Weight 366 g
Illustrations IX, 173 p. 15 illus., 9 illus. in color.
Series East Asian Popular Culture
Subjects Social sciences, law, business > Sociology > Miscellaneous

B, Gender, Media Studies, Culture, Popular Culture, Cultural Studies, Communication, auseinandersetzen, Media and Communication, Literature, Cultural and Media Studies, Asian Culture, Ethnology—Asia, Gender and Culture, Culture and Gender

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