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In the Mind, But Not From There: Real Abstraction and Contemporary Art considers how the Marxian concept of Real Abstraction--originally developed by Alfred Sohn Rethel, and recently updated by Alberto Toscano--might help to define the economic, social, political, and cultural complexities of our contemporary moment. In doing so, this volume brings together noted contemporary artists, literary critics, curators, historians, and social theorists who connect the concept of Real Abstraction with contemporary cultural production. Theoretical and artistic contributions from Benjamin Noys, Paul Chan, Joao Enxuto and Erica Love, Marina Vishmidt, Sven Lütticken, and many others help to map out the relationship between political economy and artistic production in the realm of contemporary, globalized cultural exchange.
This anthology places economic and social analyses alongside creative projects and visual essays to consider the many angles of contemporary art, and how inquiry into the the production of abstraction through material and social processes can be used to better understand, and hopefully change, the conditions under which art is made, seen, and circulated today.
Published in collaboration with [NAME] publications.
About the author
Gean Moreno is Curator of Programs at ICA Miami, where he established and runs the Art + Research Center. He has served on the Advisory Committee for the 2017 Whitney Biennial, and is the founder and current co-director of [NAME] Publications. His texts have appeared in numerous catalogues and anthologies, and he has written for various publications, including e-flux journal, Art in America, Kaleidoscope, and MONU-Magazine for Urbanism.
Summary
Artists and critics explore the concept of Real Abstraction to help understand contemporary cultural production.
