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Klappentext From experiments in language and identity to innovations in the novel, the short story and life narratives, the contributors discuss the way in which Bowen's work straddles, informs and defies the existing definitions of modernist and postmodernist literature which dominate twentieth-century writing. Inhaltsverzeichnis Acknowledgements Introduction Thinking in/about Bowen - Jessica Gildersleeve and Patricia Juliana Smith Chapter 1 How to Be Yourself - But Not Eccentric: Clothes, Style and Self in Bowen's Short Fiction - Aimee GasstonChapter 2 Elizabeth Bowen: Surrealist - Keri WalshChapter 3 Elizabeth Bowen and the Pleasure of the Text - Jessica Gildersleeve Chapter 4 Obnoxiousness and Elizabeth Bowen's Queer Adolescents - Renée C. HooglandChapter 5 Tender Ties: Elizabeth Bowen and Habit - Ulrika Maude Chapter 6 'One is Somehow Suspended': Elizabeth Bowen, Katherine Mansfield, and the Spaces in Between - Emma Short Chapter 7 'How Much of Nothing There Was': Trying (Not) to Understand Elizabeth Bowen - Damien TarnopolskyChapter 8 Bowen's Recesses: From Realism to Inter-Objectivity - Laurie Johnson Chapter 9 'Some Really Raging Peculiarity': Female Fetishism The Little Girls - Patricia Juliana Smith Chapter 10 Housekeeping and the Fiction of Subjectivity in Eva Trout - Jasmin Kelaita Chapter 11 Elizabeth Bowen on the Telephone - Andrew BennettNotes on Contributors
