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A poetic collage of art in the modern world--from Rilkean elegies for an iPhone to a meditation on Melville's classic.ssic.
About the author
Jonathan Ball is an award-winning author of dark, experimental artworks. He holds a PhD in creative writing and uses an analytical approach to show serious writers new ways to write, edit, and work so they can create innovative art that stands taller than the crowd. He is the author of numerous books, including Ex Machina (Book*hug), poetry about how machines have changed what it means to be human, Clockfire (Coach House Books), 77 plays that would be impossible to produce, The Politics of Knives (Coach House Books), poems about violence, narrative, and spectatorship, and winner of a Manitoba Book Award. Jonathan also published John Paizs’s Crime Wave (University of Toronto Press), an academic study of a neglected cult film classic, which was launched at the Toronto International Film Festival and also won a Manitoba Book Award. Jonathan has also directed short films, (including Spoony B, which sold to The Comedy Network), served as the managing editor of dANDelion magazine, and founded the literary journal Maelstrom. In 2014, Jonathan won the John Hirsch Award for Most Promising Manitoba Writer. He lives online at www.JonathanBall.com, where he writes about writing the wrong way.
Summary
A poetic collage of art in the modern world: from Rilkean elegies for an iPhone to a meditation on Melville's classic
Additional text
"Brilliant and smothering. Ball sculpts a heartbreaking figure of an artist like and unlike the author, living quotidian life, out of the shifting material of the unconsciousness." -- Natalee Caple, author of In Calamity’s Wake
