Read more
Both Dylan and Cohen have been a presence on the music and poetry landscape spanning six decades. This book begins with a discussion of their contemporary importance, and how they have sustained their enduring appeal as performers and recording artists. The authors argue that both Dylan and Cohen shared early aspirations that mirrored the Beat Generation. They sought to achieve the fame of Dylan Thomas, who proved a bohemian poet could thrive outside the academy, and to live his life of unconditional social irresponsibility.
While Dylan's and Cohen's fame fluctuated over the decades, it was sustained by self-consciously adopted personas used to distance themselves from their public selves. This separation of self requires an exploration of the artists' relation to religion as an avenue to find and preserve inner identity. The relationship between their lyrics and poetry is explored in the context of Federico García Lorca's concept of the poetry of inspiration and the emotional depths of 'duende.' Such ideas draw upon the dislocation of the mind and the liberation of the senses that so struck Dylan and Cohen when they first read the poetry and letters of Arthur Rimbaud and Lorca. The authors show that performance and the poetry are integral, and the 'duende,' or passion, of the delivery, is inseparable from the lyric or poetry, and common to Dylan, Cohen and the Beat Generation.
List of contents
Introduction1. Dying to Get Back Home
2. The Road Back
3. Redemption Men
4. Starting Out: Bob Dylan, Leonard Cohen, The Beat Generation and Dylan Thomas
5. The Masked Crusader: Bob Dylan
6. The Lone Ranger: Leonard Cohen
7. Poetry and Song
8. The Spirit of Duende
9. Mine've Been Like Verlaine's and Rimbaud
ConclusionAcknowledgmentsIndex
About the author
David Boucher is Professor of Political Philosophy and International Relations at Cardiff University, UK, and Distinguished Visiting Professor, University of Johannesburg, South Africa. He has written on a wide variety of subjects ranging from human rights to social justice. His books include Dylan and Cohen: Poets of Rock and Roll (2004), The Political Art of Bob Dylan (2009 ed. With Gary Browning), and Appropriating Hobbes (2018).Lucy Boucher has a PhD in Creative Writing from Brunel University, UK, and has been a visiting researcher at the University of Johannesburg, South Africa. She is currently completing a novel, and a defense of the English Literature canon against the corrosive influence of the pervasive genre of Fan Fiction. She is also working on conceptions of fitness from the 18th century to the present.
Summary
Both Dylan and Cohen have been a presence on the music and poetry landscape spanning six decades. This book begins with a discussion of their contemporary importance, and how they have sustained their enduring appeal as performers and recording artists. The authors argue that both Dylan and Cohen shared early aspirations that mirrored the Beat Generation. They sought to achieve the fame of Dylan Thomas, who proved a bohemian poet could thrive outside the academy, and to live his life of unconditional social irresponsibility.
While Dylan’s and Cohen’s fame fluctuated over the decades, it was sustained by self-consciously adopted personas used to distance themselves from their public selves. This separation of self requires an exploration of the artists’ relation to religion as an avenue to find and preserve inner identity. The relationship between their lyrics and poetry is explored in the context of Federico García Lorca’s concept of the poetry of inspiration and the emotional depths of ‘duende.’ Such ideas draw upon the dislocation of the mind and the liberation of the senses that so struck Dylan and Cohen when they first read the poetry and letters of Arthur Rimbaud and Lorca. The authors show that performance and the poetry are integral, and the ‘duende,’ or passion, of the delivery, is inseparable from the lyric or poetry, and common to Dylan, Cohen and the Beat Generation.
Foreword
A new edition that goes beyond the successful 2004 book, with additions that speak to the new work produced by each artist over the last decade, and the significant life and career events of each in very recent years - Cohen's death and Dylan's Nobel Prize win.
Additional text
RouteNote's "Top 10 new music books in 2021 – so far"
