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"A century after its first publication, this book is still capable of shocking. The opening satire is probably meaningful only to scholars of French political history, but the subsequent journey into the Far East accentuates connections between love and death, sex and depravity, fastidiousness and pleasure. And the petty, parochial corruptions of the narrator are put into context by the immersion into the Sadeian world of the Torture Garden."
The Times
'This hideously decadent fin de siecle novel by the French anarchist Mirbeau has become an underground classic. A cynical first half exposes the rottenness of politics, commerce and the petit bourgeois; in the second half, our totally corrupt narrator travels to China and meets the extraordinary Clara. She shows him the Torture Garden, a place of exotic flowers and baroque sadism. There are satirical and allegorical dimensions, but it remains irreducibly horrible.'
Phil Baker in The Sunday Times
'First published in 1899, the same year as Conrad's Heart of Darkness(which, in a sado-masochistic way, it mirrors), this short tale takes place in a Far Eastern garden in which torture is practised as an art form. Amidst exquisite flowers and gorgeous fauna, bodies are sliced, flayed and prised open with sumptuous artisanal skill, the whole scene rendered in prose as visceral and tender as the action it describes. When the staid realist novels of the mid-20th century have been consigned to the oblivion they so richly deserve, this text will be remembered as a classic.'
Tom McCarthy in Esquire
About the author
Octave Mirbeau (1848-1917) was a radical journalist who is best known today for his decadent classic, Torture Garden and his satire of Parisian society in the wake of the Dreyfus affair, The Diary of a Chambermaid. His first novel Le Calvaire was a succes de scandale followed a year later by Abbe Jules. Together with Sebastien Roch these novels form a very powerful indictment of French society as seen from an anarchist's perspective and are Mirbeau's revenge on society for his upbringing.
