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This book presents an analysis of Ingoma dance of the Ngoni of Mala i. The book argues that the dance has for more than a century and half maintained the same forms and structures among the Ngoni. Significantly, it suggests that Ngoni group identity is typically strengthened in relation to Ingoma. For instance, when they perform it, or are wearing something that is connected to it, as is becoming fashionable these days such as wearing an animal skin head band, they are distinguishable from the other groups; hence it's a symbol of group identity. Further, the book contends that folk dance can be read through and interpreted as a text. Considering the fact that traditionally dance has mostly been transmitted through linguistic expression including its accompanying song text and that in Ingoma, while the SiNgoni, the language of the Ngoni has not survived as language of every day communication, the dance has. I therefore conclude that the dance rather than the language is their identity marker.
About the author
McDonald J.L. Maluwaya è nato in Malawi. Ha conseguito un master in antropologia della danza (Choreomundus) nel 2014 presso quattro università europee e un diploma di laurea (1995) presso l'Università del Malawi. È coreografo, ricercatore, attore e manager artistico. Ha una vasta esperienza nel settore. Attualmente lavora per il Dipartimento delle Arti del Malawi.
