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First published in 1987. This collection of essays gathers together disparate and often conflicting representations of Milton as author and cultural figure. Together the contributors place Milton and different Milton traditions firmly within the arenas of modem critical debate.
List of contents
Notes on Contributors; Preface; Acknowledgements; Part One: The Author Function; 1. The Great lnstauration: Imaginary Narratives in Milton’s "Nativity Ode" Richard Halpern 2. Two Masques of Ceres and Proserpine: "Camus" and "The Tempest" Mary Loeffelholz 3. Milton and Sexuality: A Symptomatic Reading of "Camus" Christopher Kendrick 4. The Author’s Authority: "Areopagitica" and the Labour of Licensing Abbie Blum; Part Two: Texts in their Contemporary Contexts; 5. The Genesis of Gendered Subjectivity in the Divorce Tracts and in "Paradise Lost" Mary Nyquist 6. David’s Census: Milton’s Politics and "Paradise Regained" David Quint 7. The Father’s House: "Samson Agonistes" in its Historical Moment John Guillory; Part Three: The Written Word; 8. Milton’s Graphic Poetics Richard Bradford 9. Melos versus Logos or Why Doesn’t God Sing: Some Thoughts on Milton’s Wisdom Eleanor Cook 10. The Blotted Book Herbert Marks 11. Driving from the Letter: Truth and Indeterminacy in Milton’s "Areopagitica" Stanley Fish; Part Four: Re-memberings; 12. Blake’s "Milton": On Membership in the Church Paul David Reide 13. Milton and Afro-American Literature Carolivia Herron 14. Love between Milton and Wordsworth Robin Jarvis 15. Satan and the Romantic Satan: A Notebook Kenneth Gross 16. The God that Failed Terry Eagleton; Index
About the author
Mary Nyquist, Margaret W. Ferguson
Summary
First published in 1987. This collection of essays gathers together disparate and often conflicting representations of Milton as author and cultural figure. Together the contributors place Milton and different Milton traditions firmly within the arenas of modem critical debate.
