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This book aims to intervene in current critical contexts for the study of nineteenth-century literature within the academy and beyond. Topics discussed include science and technology, poetry and philosophy, the Gothic, anatomical exhibitions, Punjabi popular culture and the neo-Victorian in literature, film and performance.
List of contents
Introduction - Andrew Smith and Anna Barton
Part I: Critical reflections 1 On measuring the nineteenth century - John Schad
2 Literature and science - David Amigoni
3 Locke in pentameters: Victorian poetry after (or before) posthumousness - Anna Barton
4 Reading the Gothic and Gothic readers - Andrew Smith
Part II: Rethinking national contexts and exchanges 5 The global circulation of Victorian actants and ideas: liberalism and liberalisation in the niche of nature, culture, and technology - Regenia Gagnier
6 Literary folk: writing popular culture in colonial Punjab, 1885-1905 - Churnjeet Mahn
7 'Across the waters of this disputed ocean': the material production of American literature in nineteenth-century Britain - Katie McGettigan
8 Gruesome models: European displays of natural history and anatomy and nineteenth-century literature - Laurence Talairach-Vielmas
Part III: Afterlives 9 Adaptive/appropriate reuse in neo-Victorian fiction: having one's cake and eating it too - Marie-Luise Kohlke
10 Populism and ideology: nineteenth-century fiction and the cinema - Richard J. Hand
11 True histories of the Elephant Man: storytelling and theatricality in adaptations of the life of Joseph Merrick - Benjamin Poore
Index
About the author
Andrew Smith is Professor of English Studies at the University of Glamorgan where he is Co-Director of the Research Centre for Literature, Arts and Science (RCLAS)
Summary
This book aims to intervene in current critical contexts for the study of nineteenth-century literature within the academy and beyond. Topics discussed include science and technology, poetry and philosophy, the Gothic, anatomical exhibitions, Punjabi popular culture and the neo-Victorian in literature, film and performance. -- .
