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Informationen zum Autor Conrad Rudolph is Distinguished Professor of Art History at the University of California, Riverside. He is an elected Fellow of the Medieval Academy of America and a former Guggenheim and Getty Fellow. Klappentext WILEY BLACKWELL COMPANIONS TO ART HISTORY A Companion to Medieval Art A fully updated and comprehensive companion to Romanesque and Gothic art history This definitive reference brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe and provides a clear analytical survey of what is happening in this major area of Western art history. The volume comprises original theoretical, historical, and historiographic essays written by renowned and emergent scholars examining the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Part of the Wiley Blackwell Companions to Art History, A Companion to Medieval Art, Second Edition features an international and ambitious range of contributions covering reception, formalism, Gregory the Great, pilgrimage art, gender, patronage, marginalized images, the concept of spolia, manuscript illumination, stained glass, Cistercian architecture, art of the crusader states, and more. The second edition offers: Newly revised edition of a highly successful companion, including 11 new chapters Comprehensive coverage ranging from vision, materiality, and the artist through to architecture, sculpture, and painting Contains illustrations throughout, plus notes on the book's many distinguished contributors A Companion to Medieval Art: Romanesque and Gothic in Northern Europe, Second Edition is an exciting and varied study that provides essential reading for students and teachers of medieval art. Inhaltsverzeichnis Notes on Contributors ix Series Editor's Preface xvii Preface to the First Edition xix Preface to the Second Edition xxiii 1 Introduction: A Sense of Loss: An Overview of the Historiography of Romanesque and Gothic Art 1 Conrad Rudolph 2 Artifex and Opifex - The Medieval Artist 45 Beate Fricke 3 Vision 71 Cynthia Hahn 4 Materials, Materia, "Materiality" 95 Aden Kumler 5 Reception of Images by Medieval Viewers 119 Madeline Harrison Caviness 6 Narrative, Narratology, and Meaning 147 Suzanne Lewis 7 Formalism 171 Linda Seidel 8 Gender and Medieval Art 195 Brigitte Kurmann¿Schwarz 9 Gregory the Great and Image Theory in Northern Europe During the Twelfth and Thirteenth Centuries 221 Herbert L. Kessler 10 Iconography 245 Shirin Fozi 11 Art and Exegesis 267 Christopher G. Hughes 12 Whodunnit? Patronage, the Canon, and the Problematics of Agency in Romanesque and Gothic Art 287 Jill Caskey 13 Collecting (and Display) 309 Pierre Alain Mariaux 14 The Concept of Spolia 331 Dale Kinney 15 The Monstrous 357 Thomas E.A. Dale 16 Making Sense of Marginalized Images in Manuscripts and Religious Architecture 383 Laura Kendrick 17 Definitions and Explanations of the Romanesque Style in Architecture from the 1960s to the Present Day 407 Eric Fernie 18 Romanesque Sculpture in Northern Europe 417 Colum Hourihane 19 Modern Origins of Romanesque Sculpture 439 Robert A. Maxwell 20 The Historiography of Romanesque Manuscript Illumination 463 Adam S. Cohen 21 The Study of Gothic Architecture 489 Stephen Murray 22 France, Germany, and the Historiography of Gothic Sculpture 513 Jacqueline E. Jung 23 Gothic Manuscript Illustration: The Case of France 547 Anne D. Hedeman 24 "'Specia...
