Read more
An interdisciplinary collection providing new perspective on the interface between the gothic and death, with fresh readings of established, overlooked and recent Gothic works across a variety of cultural and literary forms.
List of contents
Introduction - The corpse in the closet: the Gothic, death, and modernity - Carol Margaret Davison
Part I: Gothic graveyards and afterlives
1. Past, present, and future death in the graveyard - Serena Trowbridge
2. On the very Verge of legitimate Invention': Charles Bonnet and Blake's illustrations to
The Grave (1808)' - Sibylle Erle
3. Entranced by death: Horace Smith's
Mesmerism - Bruce Wyse
Part II: Gothic revolutions and undead histories
4. 'This dreadful machine': the spectacle of death and the aesthetics of crowd control - Emma Galbally and Conrad Brunström
5. Undying histories: Washington Irving's Gothic afterlives - Yael Maurer
6. Deadly interrogations: cycles of death and transcendence in Byron's Gothic - Adam White
Part III: Gothic apocalypses: dead selves/dead civilizations
7. The annihilation of self and species: The ecoGothic sensibilities of Mary Shelley and Nathaniel Hawthorne - Jennifer Schell
8. Death cults in Gothic 'Lost World' fiction - John Cameron Hartley
9. Dead again: zombies and the spectre of cultural decline - Matthew Pangborn
Part IV: Global Gothic dead
10. A double dose of death in Iginio Ugo Tarchetti's 'I fatali' - Christina Petraglia
11. Through the opaque veil: the Gothic and death in Russian realism - Katherine Bowers
12. Afterdeath and the Bollywood Gothic noir - Vijay Mishra
Part V: Twenty-first century gothic and death
13. Dead and ghostly children in contemporary literature for young people - Michelle J. Smith
14. Modernity's fatal addictions: technological necromancy and E. Elias Merhige's
Shadow of the Vampire - Carol Margaret Davison
15. 'I'm not in that thing you know ... I'm remote. I'm in the cloud': networked spectrality in Charlie Brooker's 'Be Right Back' - Neal Kirk
Index
About the author
Carol Margaret Davison is Professor and Head of Department of the English Language, Literature and Creative Writing at the University of Windsor
Summary
An interdisciplinary collection providing new perspective on the interface between the gothic and death, with fresh readings of established, overlooked and recent Gothic works across a variety of cultural and literary forms. -- .
