The Locus of Meaning in Medieval Art - Iconography, Iconology, and Interpreting the Visual Imagery of the

Informationen zum Autor Lena Eva Liepe, University of Oslo, Norway. Klappentext This book addresses the status and relevance of iconography and iconology in the contemporary scholarly study of medieval art. There is a widespread tendency among art historians today to regard the study of iconography and iconology in the tradition of Erwin Panofsky as an outmoded and trivial pursuit. Nonetheless, Panofsky's three-level interpretative model sits firmly in the methodological toolkit of art history and remains a common point of reference among adherents and adversaries alike. Iconography and iconology demand to be taken seriously as a feature of continued praxis in the discipline. The book contains a collection of essays on the validity of various approaches toward the interpretation of meaning in medieval art today. These essays either demonstrate the continued usefulness of iconography and iconology as analytical strategies, or propose alternative approaches to the investigation of meaning in the art of the Middle Ages.

Product details

• Authors: Lena Eva (EDT) Liepe
• Assisted by: Len Eva Liepe (Editor), Lena Eva Liepe (Editor), Lena Liepe (Editor), Lena Eva Liepe (Editor)
• Publisher: Western michigan uni medieval
• Languages: English
• Product format: Hardback
• Released: 30.09.2018
• EAN: 9781580443432
• ISBN: 978-1-58044-343-2
• No. of pages: 321
• Series: Studies in Iconography: Themes; Studies in Iconography; Studies in Iconography; Studies in Iconography: Themes
• Subjects: Humanities, art, music > Art > Art history; Kunstgeschichte, Skulptur, Plastik (künstlerisch), ART / History / Medieval, iconography, iconology, medieval art