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Excerpt from Le Traité d'Orchestration d'Hector Berlioz
Je voudrais tout d'abord déterminer ici les deux voies principales par lesquelles s'est poursuivi le développement de l'orchestre, depuis Händel, Gluck et Haydn jusqu'à Wagner, et que je désignerai sous le nom de voie symphonique (polyphonique) et de voie dramatique (homophone).
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