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‘This whole thing has got police cover-up written all over it,’ Ida said, rising.
‘Yup,’ said Michael. ‘That’s who we’re up against.’
Fall, 1947. New York City.
Private Investigator Ida Davis has been called to New York by her old partner, Michael Talbot, to investigate a brutal killing spree in a Harlem flophouse that has left four people dead. But as they delve deeper into the case, Ida and Michael realize the murders are part of a larger conspiracy that stretches further than they ever could have imagined.
Meanwhile, Ida’s childhood friend, Louis Armstrong, is at his lowest ebb. His big band is bankrupt, he’s playing to empty venues, and he’s in danger of becoming a has-been, until a promoter approaches him with a strange offer to reignite his career . . .
And across the city, nightclub manager and Mob fixer Gabriel Leveson’s plans to flee New York are upset when he’s called in for a meeting with the ‘boss of all bosses’, Frank Costello. Tasked with tracking down stolen Mob money, Gabriel must embark on a journey through New York’s seedy underbelly, forcing him to confront demons from his own past, all while the clock is ticking on his evermore precarious escape plans.
Ray Celestin’s third instalment in his multi-award winning City Blues Quartet is both a gripping neo-noir crime novel and a vivid, panoramic portrait of New York – from its tenements to its luxury hotels, from its bebop clubs to the bustling wharves of the Brooklyn waterfront – all set as the Mob is rising to the height of its powers, and Senator Joe McCarthy begins to plot his own reign of terror . . .
About the author
Ray Celestin is a novelist and screenwriter based in London. His debut novel, The Axeman’s Jazz, won the CWA New Blood Dagger for best debut crime novel of the year, and was featured on numerous ‘Books of the Year’ lists. His follow-up, Dead Man’s Blues, won the Historia Historical Thriller of the Year Award, and was shortlisted for a number of other awards, including the CWA Gold Dagger for best crime novel of the year. The novels are part of a series – the City Blues Quartet – which charts the twin histories of jazz and the Mob through the middle fifty years of the twentieth century. The Mobster’s Lament is the third instalment in this series.
Summary
Award-winning author Ray Celestin's The Mobster's Lament is both a gripping crime novel and a vivid, panoramic portrait of 1940s New York as the mob rises to the height of its powers . . .
Foreword
Award-winning author Ray Celestin's The Mobster's Lament is both a gripping crime novel and a vivid, panoramic portrait of 1940s New York as the mob rises to the height of its powers . . .
Additional text
Celestin is hugely knowledgeable in portraying the atmosphere of New York. The series is a delight.
