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List of contents
1 Assorted Preliminaries / 2 Intervals / 3 Basic Harmonic Structures / 4 Musical Shorthand: Lead Sheets and Figured Bass / 5 Harmonies of the Major and Minor Scales / 6 Cadences/Harmonic Rhythm / 7 Melodic Pitch and Rhythm / 8 Embellishing Tones / 9 Melodic Form / 10 Melodic Principles of Part Writing: The Outer-Voice Framework / 11 The Melodic Factor in Four-Voice Part Writing: Voicing and Connecting Chords /12 The Chorale: Part Writing with Root-Position Triads /13 Part Writing with Triads in Inversion / 14 Part Writing Seventh Chords / 15 Secondary Function I /16 Secondary Function II /17 Modulation I /18 The Art of Countermelody / 19 The Fugue /20 Mixing Modes / 21 Altered Pre-Dominants /22 Other Chromatic Harmonies /23 Modulation II / 24 Harmonic Extensions and Chromatic Techniques / 25 Binary and Ternary Forms /26 Sonata Form / 27 The Rondo / 28 Syntax and Vocabulary / 29 New Tonal Methods / 30 Non-Serial Atonality /31 Serial Atonality / 32 Harmonic Principles in Jazz / 33 The Blues / 34 Shaping a Song / Appendix A: Pitch / Appendix B: Rhythm
About the author
Ralph Turek is a theorist, composer, author, jazz pianist, Professor Emeritus at The University of Akron, and a veteran of 35 years of teaching in the music theory classroom.
Daniel McCarthy is a familiar name in contemporary American music. As a composer, he has received distinguished faculty research/creativity awards at Indiana State University and The University of Akron, where he is Chair of the Composition and Theory Section in the School of Music.
Summary
Theory for Today’s Musician, Third Edition, recasts the scope of the traditional music theory course to meet the demands of the professional music world, in a style that speaks engagingly to today’s music student. It uses classical, folk, popular, and jazz repertoires with clear explanations that link music theory to musical applications.
