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From the editors of Tablet magazine and the creators of the popular Unorthodox podcast, The Passover Haggadah is a modern spin on the traditional Haggadah, the story of the exodus recited at the Passover Seder for thousands of years. This one is made particularly for a younger, less religious, more urbane contemporary Jewish audience.
About the author
Alana Newhouse is the editor in chief of
Tablet, a daily online magazine of Jewish news, ideas, and culture launched in 2009. Prior to
Tablet, she spent five years as culture editor of the
Forward, where she supervised coverage of books, films, dance, music, art, and ideas. She also started a line of
Forward-branded books with W.W. Norton and edited its maiden publication,
A Living Lens: Photographs of Jewish Life from the Pages of the Forward. A graduate of Barnard College and Columbia’s Graduate School of Journalism, Newhouse has contributed to the
New York Times, the
Washington Post, the
Boston Globe, and Slate.
Tablet, launched in 2009 by editor in chief Alana Newhouse, is a daily online magazine of Jewish news, ideas, and culture.
Tablet’s recent books include
The 100 Most Jewish Foods by Alana Newhouse and
The Newish Jewish Encyclopedia by Stephanie Butnick, Liel Leibovitz, and Mark Oppenheimer, cohosts of the magazine’s
Unorthodox podcast, the most popular Jewish podcast on iTunes, with more than 4 million downloads. Follow @tabletmag on Instagram and Twitter.
Summary
From the editors of Tablet magazine and the creators of the popular Unorthodox podcast, The Passover Haggadah is a modern spin on the traditional Haggadah, the story of the exodus recited at the Passover Seder for thousands of years. This one is made particularly for a younger, less religious, more urbane contemporary Jewish audience.
Foreword
From the editors of Tablet magazine and the creators of the popular Unorthodox podcast, The Passover Haggadah is a modern spin on the traditional Haggadah, the story of the exodus recited at the Passover Seder for thousands of years. This one is made particularly for a younger, less religious, more urbane contemporary Jewish audience.
