Routledge Revivals: Painting, Language and Modernity (1985)

List of contents

Acknowledgments; 1 A More or Less Contemporary Pluralogue (Broken) 2 In Advance of the Broken Ar… 3 Recuperating Modernity 4 Modernity Underwrites Itself 5 Painting: Writing 6 Painting: Reading 7 Painting into and out of Meaning 8 Painting Signing-on and Signing-off 9 Painting: Criticism 10 A More Contemporary Pluralogue Re-gained (and Lost); References to the Pluralogues; Bibliography; Index

About the author

Michael Phillipson

Summary

First published in 1985, this book draws together the author’s artistic with analytical practices which had been developed over many years of sociological enquiry. It interprets a ‘work of art’ as a site on which a viewer or critic is invited to share in questioning celebration of the painting itself. The author reassesses modern painting’s relation to its own origins and to tradition in light of the emergence of ‘postmodern’ practice — exploring its engagement of fundamental questions about language and being. Also assessed is the relevance of the metaphors of writings and Reading to an understanding of painting and viewing practices — looking at painters’ writings as well as phenomenological and post-structuralist writers.

Product details

• Authors: Michael Phillipson, Phillipson Michael
• Publisher: Taylor & Francis Ltd.
• Languages: English
• Product format: Paperback / Softback
• Released: 31.05.2018
• EAN: 9781138281905
• ISBN: 978-1-138-28190-5
• No. of pages: 211
• Subjects: Humanities, art, music > Art > General, dictionaries; Media Studies, Sociology, Europe, Theory of art, SOCIAL SCIENCE / Media Studies, ART / Criticism & Theory, ART / European, ART / History / Modern (late 19th Century to 1945), MUSIC / Genres & Styles / Classical, PHILOSOPHY / Movements / Post-Structuralism, History of Art, Modernism, Philosophy: aesthetics, Classical style, Art music, orchestral and formal music, Structuralism and Post-structuralism, The arts: general topics