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This book explores why widespread predictions of the radical transformation in the recording industry did not materialise. Although the growing revenue generated from streaming signals the recovery of the digital music business, it is important to ask to what extent is the current development a response to digital innovation. Hyojung Sun finds the answer in the detailed innovation process that has taken place since Napster. She reassesses the way digital music technologies were encultured in complex music valorisation processes and demonstrates how the industry has become reintermediated rather than disintermediated.
This book offers a new understanding of digital disruption in the recording industry. It captures the complexity of the innovation processes that brought about technological development, which arose as a result of interaction across the circuit of the recording business - production, distribution, valorisation, and consumption. By offering a more sophisticated account than the prevailing dichotomy, the book exposes deterministic myths surrounding the radical transformation of the industry.
List of contents
List of Figures.- List of Tables.- List of Abbreviations.- Chapter 1 Introduction.- Chapter 2 Towards a More Sophisticated Account.- Chapter 3 The History of Technological Development in the Recording Industry.- Chapter 4 Evolution of Digital Music Services.- Chapter 5 Case Study - Spotify.- Chapter 6 Digital Music Distribution Networks.- Chapter 7 Case Study - INgrooves.- Chapter 8 Digital Revolution Tamed in the Recording Industry.- Bibliography.
About the author
Hyojung Sun is currently working as a research fellow at Ulster University, UK, leading a UK-government sponsored research project entitled Music 2025, which aims to untangle the complex issues involved around the transparency of data in digital music contents. She obtained her PhD in Science, Technology and Innovation Studies from the University of Edinburgh, UK.
Summary
This book explores why widespread predictions of the radical transformation in the recording industry did not materialise. Although the growing revenue generated from streaming signals the recovery of the digital music business, it is important to ask to what extent is the current development a response to digital innovation. Hyojung Sun finds the answer in the detailed innovation process that has taken place since Napster. She reassesses the way digital music technologies were encultured in complex music valorisation processes and demonstrates how the industry has become reintermediated rather than disintermediated.
This book offers a new understanding of digital disruption in the recording industry. It captures the complexity of the innovation processes that brought about technological development, which arose as a result of interaction across the circuit of the recording business – production, distribution, valorisation, and consumption. By offering a more sophisticated account than the prevailing dichotomy, the book exposes deterministic myths surrounding the radical transformation of the industry.
Additional text
“This volume is essential reading for anyone wondering how the current state of music access happened.” (Ed Komara, ARSC, Association for Recorded Sound Collections Journal, Vol. 52 (1), 2021)
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"This volume is essential reading for anyone wondering how the current state of music access happened." (Ed Komara, ARSC, Association for Recorded Sound Collections Journal, Vol. 52 (1), 2021)
