Fr. 180.00

Greek Tragedy After the Fifth Century - A Survey From Ca. 400 Bc to Ca. Ad 400

English · Hardback

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Description

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What happened to Greek tragedy after the death of Euripides? This book provides some answers, and a broad historical overview.

List of contents










Introduction Antonis K. Petrides; Part I. Texts: 1. Greek tragedy in the fourth century: the fragments Vayos Liapis and Theodoros K. Stephanopoulos; 2. The Rhesus Almut Fries; 3. Hellenistic tragedy and satyr-drama: Lycophron's Alexandra Simon Hornblower; 4. The Exag¿g¿ of Ezekiel the tragedian Pierluigi Lanfranchi; Part II. Contexts and Developments: 5. Beyond Athens: the expansion of Greek tragedy from the fourth century onwards Brigitte Le Guen; 6. Theater performance after the fifth century Anne Duncan and Vayos Liapis; 7. Music and dance in tragedy after the fifth century Mark Griffith; 8. The fifth century and after: (dis)continuities in Greek tragedy Francis Dunn; 9. Society and politics in post-fifth century tragedy David M. Carter; Part III. Transmission and Reception: 10. Attitudes towards tragedy from the second sophistic to late antiquity Ruth Webb; 11. Scholars and scholarship on tragedy Johanna Hanink.

About the author

Vayos Liapis is Professor of Ancient Theatre and its Reception at the Open University of Cyprus. His latest book is A Commentary on the 'Rhesus' Attributed to Euripides (2011). He is currently co-editing Adapting Greek Tragedy (Cambridge, forthcoming).Antonis K. Petrides is Associate Professor of Classics at the Open University of Cyprus. He is the author of Menander, New Comedy and the Visual (Cambridge, 2014) and the co-editor of New Perspectives on Postclassical Comedy (2010). He is currently preparing a new critical edition and commentary on Menander's Dyskolos.

Summary

Accessible survey exploring, for the first time in English, both textual and non-textual evidence for the development of Greek tragedy after the fifth century BC. Ranges widely across topics from theatre performance, music and dance to transmission and reception later in antiquity. Essential for classicists and theatre scholars and practitioners.

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