Read more
Zusatztext David Raizman follows his History of Modern Design with heavily-illustrated ‘readings’ of well-known examples of graphic design aimed at students. His case studies include Josef Müller-Brockmann’s ‘schutzt das Kind!’ (1952-3), picking up on current research in Swiss graphic design history by Robert Lzicar and Davide Fornari, and Cassandre’s ‘Dubo-Dubon-Dubonnet’ posters (1932), which follows larger studies of French alcohol advertising by Sarah Howard and Marty Roth. Raizman’s book joins titles such as Rebecca Houze’s semiotic analysis New Mythologies (Bloomsbury, 2016), and Grace Lees-Maffei and Nicolas P. Maffei’s wider contextual study Reading Graphic Design (Bloomsbury, 2019). Informationen zum Autor David Raizman is Distinguished University Professor Emeritus in the Department of Art and Art History at Drexel University, USA. Klappentext Reading Graphic Design History uses a series of key artifacts from the history of print culture in light of their specific historical contexts. It encourages the reader to look carefully and critically at print advertising, illustration, posters, magazine art direction and typography, often addressing issues of class, race and gender.David Raizman's innovative approach intentionally challenges the canon of graphic design history and various traditional understandings of graphic design. He re-examines 'icons' of graphic design in light of their local contexts, avoiding generalisation to explore underlying attitudes about various social issues. He encourages new ways of reading graphic design that take into account a broader context for graphic design activity, rather than broad views that discourage the understanding of difference and the means by which graphic design communicates cultural values. With a foreword by Steven Heller.Raizman explores key texts and moments in graphic design history, highlighting issues of gender, class, and race and placing print culture in its economic, social and political contexts. Zusammenfassung Reading Graphic Design History uses a series of key artifacts from the history of print culture in light of their specific historical contexts. It encourages the reader to look carefully and critically at print advertising, illustration, posters, magazine art direction and typography, often addressing issues of class, race and gender.David Raizman’s innovative approach intentionally challenges the canon of graphic design history and various traditional understandings of graphic design. He re-examines ‘icons’ of graphic design in light of their local contexts, avoiding generalisation to explore underlying attitudes about various social issues. He encourages new ways of reading graphic design that take into account a broader context for graphic design activity, rather than broad views that discourage the understanding of difference and the means by which graphic design communicates cultural values. With a foreword by Steven Heller. Inhaltsverzeichnis AcknowledgmentsList of IllustrationsForeword by Steven HellerIntroduction 1. Josef Müller-Brockmann: “schutzt das Kind!” and the Mythology of Swiss Design2. Koloman Moser’s Thirteenth Secession Exhibition Poster (1902): Anatomy of a Work of Viennese Graphic Design3. Cassandre and Dubonnet: Art Posters and Publicité in Interwar Paris4. Frank Zachary at Holiday : Travel, Leisure, and Art Direction in Post-World War II America5. Food, Race, and the "New Advertising": The Levy’s Jewish Rye Bread Campaign 1963-19696. Graphic Design and Politics: Thomas Nast and the “TAMMANY TIGER LOOSE”7. The Politics of Learning: Dr. John Fell and the Fell Types at Oxford University in the Later Seventeenth Century BibliographyIndex...
