Read more
Italian political terrorism of the 1970s has produced in its aftermath a rich body of memorial writing, created not only by victims or perpetrators but also by the secondary victims of violence, often children of the dead, who many years after their loss ask why their parents or relatives were chosen as targets, what it means for them personally and for the history of the Italian anni di piombo. This volume brings together a body of essays that explore this field of «postmemorial» writing, a field that extends the scope of memory studies, particularly in relation to political violence, and especially when those memories are fragile and indirect. The book analyses the work of victims' children such as Mario Calabresi, Benedetta Tobagi, Luca Tarantelli and Massimo Coco, exploring how these authors and others have narrated their unique experiences, from their distant memories of their fathers - each assassinated by different Italian terrorist groups - to their more recent struggles to deal with state institutions ill-equipped to respond to, or indifferent to, their plight. It further examines how their «postmemorial» works have contributed to a new relationship between history and personal memory in Italy. All of these writers, impelled by a sense of marginalization, frustration and sometimes anger to become actors and witnesses against their own will, have added their own indispensable tiles to the mosaic of a national and collective memory of the 1970s that is still largely unresolved in Italy today.
List of contents
CONTENTS: David Ward: The Wider Context of the Writings by Victims of Terrorism and their Relatives - Figuring the Father - Vasiliki Petsa: The Stigma that Dare not Speak its Name: Negotiating Pride and Shame in the Discourse of the Relatives of the Victims of Terrorism - Barbara Armani: Il padre assente. Storia e autobiografia nelle memorie di figli delle vittime del terrorismo di sinistra - Alessandra Diazzi: La cicatrice dell'evaporazione del padre in Colpire al cuore di Gianni Amelio - Case Studies - Sciltian Gastaldi: «Era mio padre». Scopi culturali differenti negli scritti di tre familiari delle vittime del terrorismo: Mario Calabresi, Benedetta Tobagi e Luca Tarantelli - Ilaria Fatta Trabucco: «Il caso Moro non riguardi i Moro». La dialettica tra personaggio pubblico e personaggio privato nella figura di Aldo Moro attraverso gli scritti della figlia - Monica Jansen: «Qualunque cosa succeda». Il testamento spirituale di Giorgio Ambrosoli - Sciltian Gastaldi: L'ergastolo del dolore. Scopi culturali differenti negli scritti di due familiari delle vittime del terrorismo genovese: Sabina Rossa e Massimo Coco - Histories, Public and Private - Alessandra Montalbano: La memoria privata degli anni di piombo - Flavia Laviosa: Vittime: Giovanna Gagliardo's Cine-history of the Victims of Terrorism - Luca Tarantelli: Discorso tenuto in occasione della presentazione de Il Libro dell'incontro alla Sala Zuccari, Senato della Repubblica, Roma, 19 gennaio 2017.
About the author
Sciltian Gastaldi (PhD, University of Toronto) is a history and philosophy high school teacher for the Ministero dell'Istruzione and the Ontario College of Teachers, as well as a journalist and novelist.
David Ward is Professor of Italian Studies at Wellesley College.
Summary
This volume explores the work of authors such as Mario Calabresi, Benedetta Tobagi, Luca Tarantelli and Massimo Coco, whose fathers were victims of Italian political terrorism in the 1970s. It examines how they have narrated their unique experience and how their 'postmemorials' contribute to a new relationship between history and personal memory.
