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When Kyoko’s heart is broken, she decides that revenge is a dish best served in the spotlight!Kyoko has trained hard to be the perfect ninja, and now the day of the Momiji audition has dawned. But the producer in charge of the acting test kicks Kyoko out for having hair unbecoming of a ninja, without even letting her perform! Kyoko’s temporary manager Yashiro isn’t worried, though. He knows a little adversity isn’t enough to stand in the way of Kyoko’s ninja dreams. But are grit and determination really enough to break through the producer’s professional skepticism?
Kyoko has trained hard to be the perfect ninja, and now the day of the Momiji audition has dawned. But the producer in charge of the acting test kicks Kyoko out for having hair unbecoming of a ninja, without even letting her perform! Kyoko’s temporary manager Yashiro isn’t worried, though. He knows a little adversity isn&a
About the author
Yoshiki Nakamura is originally from Tokushima Prefecture. She started drawing manga in elementary school, which eventually led to her 1993 debut of
Yume de Au yori Suteki (Better than Seeing in a Dream) in
Hana to Yume magazine. Her other works include the basketball series
Saint Love,
MVP wa Yuzurenai (Can't Give Up MVP),
Blue Wars and
Tokyo Crazy Paradise, a series about a female bodyguard in 2020 Tokyo.
Summary
When Kyoko’s heart is broken, she decides that revenge is a dish best
served in the spotlight!
Kyoko Mogami followed her true love Sho to Tokyo to
support him while he made it big as an idol. But he’s casting her out now
that he’s famous! Kyoko won’t suffer in silence—she’s
going to get her sweet revenge by beating Sho in show biz!
Kyoko has
trained hard to be the perfect ninja, and now the day of the Momiji audition has
dawned. But the producer in charge of the acting test kicks Kyoko out for having
hair unbecoming of a ninja, without even letting her perform! Kyoko’s
temporary manager Yoshiro isn’t worried, though. He knows a little
adversity isn’t enough to stand in the way of Kyoko’s ninja dreams.
But are grit and determination really enough to break through the
producer’s professional skepticism?
