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Excerpt from Le Peintre-Graveur Illustré (Xixe Et Xxe Siècles), Vol. 13: Charles-François Daubigny
Enfin, à partir de 1860 environ, Daubigny complètement maître de sa pensée et de sa main évolue encore; il vise aux accents, à la simplification, et trace à larges traits sur le cuivre ses motifs de paysages, faisant le plus souvent abstraction des demi-valeurs pour atteindre à une intensité d'effet plus décisive.
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