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Zusatztext This is a book with something for everyone...Some readers will no doubt privilege the appendices, which include an inventory of the seventy-five free-standing statues from the Baths of Caracalla (271-388). Others will use the book as a digestible - and meticulously footnoted - introduction to the complex as a whole, including a useful summary of all evidence for visual adornment Informationen zum Autor Maryl B. Gensheimer is Assistant Professor of Roman Art and Archaeology at the University of Maryland. Klappentext Across the Roman Empire, ubiquitous archaeological, art historical, and literary evidence attests to the significance of bathing for Romans' routines and relationships. Decoration and Display in Rome's Imperial Thermae presents a detailed analysis of the extensive decoration of the best preserved of these bathing complexes, the Baths of Caracalla (inaugurated 216 CE). Zusammenfassung Across the Roman Empire, ubiquitous archaeological, art historical, and literary evidence attests to the significance of bathing for Romans' routines and relationships. Public baths were popularly viewed as necessities of daily life and important social venues. Given the importance of bathing to the Roman style of living, by endowing eight magnificent baths (the so-called imperial thermae) in the city of Rome between 25 BCE - 315 CE, imperial patrons greatly enhanced their popular and political stature.Decoration and Display in Rome's Imperial Thermae presents a detailed analysis of the extensive decoration of the best preserved of these bathing complexes, the Baths of Caracalla (inaugurated 216 CE). Maryl B. Gensheimer takes an interdisciplinary approach to existing archaeological data, textual and visual sources, and anthropological theories in order to generate a new understanding of the visual experience of the Baths of Caracalla and show how the decoration played a critical role in advancing imperial agendas.This reassessment of one of the most ambitious and sophisticated examples of large-scale architectural patronage in Classical antiquity examines the specific mechanisms through which an imperial patron could use architectural decoration to emphasize his own unique sociopolitical position relative to the thousands of people who enjoyed his benefaction. The case studies addressed herein--ranging from architectural to freestanding sculpture and mosaic--demonstrate that sponsoring monumental baths was hardly an act of altruism. Rather, even while they provided recreation for elite and sub-altern Romans alike, such buildings were concerned primarily with dynastic legitimacy and imperial largess. Decorative programs articulated these themes by consistently drawing analogies between the subjects of the decoration and the emperor who had paid for it. The unified decorative program--and the messages of imperial power therein--adroitly honored the emperor and consolidated his reputation. Inhaltsverzeichnis Chapter 1: An Introduction to Baths in Rome and Methodologies of this Study Chapter 2: The Decoration of the Baths of Caracalla Chapter 3: Iconographical Programs and Their Importance to the Baths of Caracalla Chapter 4: The Visual Experience and Reception of the Baths of Caracalla Chapter 5: The Power of Place. Where and Why Caracalla's Baths Were Built Conclusion Appendix I Appendix II Bibliography ...
